These shows prove the marathon-watching juggernaut’s concern for both quantity and quality.
Even as the series begins to show its age, Archer’s commitment to character ensures that these episodes never feel too familiar.
Its staged more like a drama than a standard sitcom, but its deft dissection of American network TV makes it one of the funniest shows on television.
One of the more consistent and admirable qualities of Girls is its messy, funny, and heartfelt depiction of relationships as fluid.
Part surreal invention and part frat-house juvenilia, the series is that rare species of Hollywood entertainment: the unknown quantity.
The insights into modern existence never seem as profound as those on Louie, but it continues to brandish a view of gender that’s casually radical.
The show wants to both mock the no-bull crassness of political wheelers and dealers and cling to a moralistic view of government.
Though the new season is livelier than the fourth, it displays a seriousness of purpose to which Downton Abbey has always been ill-suited.
Showrunner Steven Moffat presents the intersection between Doctor Who and Christmas in the most direct possible way.
Each episode exists in a different reality, and each reality, despite being different from one another, isn’t too dissimilar from the present.
Tonight’s season finale of Homeland was a homecoming of sorts, a return from the wilderness, a clearing of the slate.
“Orphans” finds Freak Show taking a surprisingly earnest detour from its usual preachy, ultra-violently “relevant” shenanigans.
A sense of loss, in love and war alike, permeates the episode.
You may be inclined to wonder throughout the typically atypical murder sequences and arbitrary character epiphanies how this series is written.
The series finale of Kurt Sutter’s super-violent Shakespearean biker-gang saga represents a high-water mark.
Many of the year’s best shows approached storytelling in the episodic form from clever, distinct perspectives.
Homeland has once again assumed its place as television’s sharpest appraisal of the War on Terror.
It indulges in heightened emotions and inanity, but never fails to regard its characters’ outsized feelings with affection and understanding.
“Blood Bath” is another of American Horror Story: Freak Show’s housecleaning episodes.
Jax spends much of the episode trying to mend the bursted gangland seem that he was entirely responsible for opening.
The show is a dozen white actors and a Lifehouse song away from being a Lifetime movie of the week.