Whenever Ryan Gosling and Emily Blunt aren’t on screen together, the movie magic dissipates.
In American Psycho, there is an exit—it’s just called the future.
Galoup is merely a rotten byproduct of a dehumanizing military apparatus, but by film’s end he finally learns to let out some steam.
Its secrets unravel via a series of carefully calibrated compositions that become not unlike virtual gateways into Freudian pasts.
Released at the pinnacle of his prolific Mexican period, Él remains one of Luis Buñuel’s crowning achievements.
Get this: In Memento, Christopher Nolan tells his story backward!
To think that there are people in America will take the film’s rank sentimentality as an act of humanitarianism.
The Shooting pays obvious homage to the classic westerns of John Ford and Howard Hawks.
Woody Allen has grown up a lot since Take the Money and Run and it shows.