There’s an enigmatic quality to the role of Nolan in the current filmmaking landscape.
The film brushes up against a greater truth about how men and women move through the world.
If anything, the film proves that John Wick is doomed to further Marvelization.
This from the filmmaker who made Land and Freedom and The Wind that Shakes the Barley?
Nida Manzoor’s film is a charm offensive that simply doesn’t let up.
And so we come to the conclusion of our annual month-long existential cosplay.
What would an Oscar ceremony be without the flames of a culture war being fanned?
Scream VI barely resembles the film that birthed the franchise back in 1996.
Stephen Williams’s film struggles to live up to the bombastic, wildly entertaining beginning.
Really, who are we kidding?
The film, unlike some of the Farrelly brothers’ past work, is maudlin and banal.
At this year’s BFMAF, the lines between documentary and fiction were blurred in productive and challenging ways.
Will sentiment be enough to make to make Mandy Walker the first woman to win this award?
The raw, frustrating, occasionally revealing footage of Monk makes the film worthwhile.
Who’s your new zaddy crush?
Claire Simon’s tour de force is a realistic celebration fused with pre-emptive mourning.
Butcher’s Crossing could have been a major addition to the neo-western canon.
If not here for Top Gun: Maverick, then where?
This isn’t just an anti-superhero superhero film, but something akin to an anti-film.
With this category, we realize that precedent is increasingly illusory.
Whatever they do next, we hope that Daniels keeps it real.