We may as well just light it up and acquiesce to the inevitable all-consuming blast.
To quote Homer Simpson, it seems everything is all wrapped up in a neat little package.
No fuzzy, talking animals can possibly and unexpectedly tip this year’s Visual Effects contest like they recently did.
AMPAS finally elects an executive committee to give a second chance to films snubbed during this category’s first round of voting.
Annie, are you okay?
Even if people wanted to vote for a critics darling like Josh Brolin (Milk) in this category, to do so might seem akin to failing one of the Joker’s social experiments from The Dark Knight.
The brouhaha over The Dark Knight’s eligibility has been settled and found irrelevant.
Manon on the Asphalt is a whimsical evocation of a woman’s life flashing before her eyes, but On the Line is the real standout here.
Strange that the only time Pixar won here was the same year it lost—and tragically so—in the race for Animated Feature.
Duffy’s got a solid shot at all three of the categories she’s nominated in.
We’re betting that Guillermo del Toro’s Oscar goodwill continues here.
For now, here’s to blind hope.
You know the drill: No guild is better at predicting the winner of the Best Picture Oscar than the Directors Guild of America.
Like Nixon said, when Harvey Milk stabs Dan White in the back and all but blackmails George Moscone, it’s not illegal.
There are two ways to spin this category.
For the first time, Slant has decided to tackle nomination predictions in the screenplay categories. Why, you ask?
The noise that Oscar pundits make throughout the year feels as influential to this rat race as the awards handed out by critics.
Call it a showdown between the two wannabes.
It’ll be a close one, but we say: En Ra Ha!
What a long, strange week it’s been.
This is a complete list of our predicted winners at the 2008 Academy Awards.