Despite being affectionately known as the Love Bug, Herbie is more of a horny pest in Herbie: Fully Loaded.
Throughout, Werner Herzog gracefully and astutely captures the “primordial kinship” of man and nature.
Fear is Batman’s weapon of choice in Christopher Nolan’s Batman Begins.
Louis Malle’s stabs at social commentary are thinly conceived throughout this 1958 debut feature.
Maxim’s writers should stick to reviewing breasts…and Florent Siri should stop making movies.
A spotless transfer all-around (the sterling silver is sterling and Christina Ricci’s hair is blacker than black), but the film is still ugly as sin.
Mirrormask is so busy gazing at its own sumptuous exterior that its portrait of adolescent maturation and familial reconciliation winds up being frustratingly skin-deep.
It’s hard to criticize the film for exhibiting only a passing resemblance to its now-dated and unfunny source material.
It should be a snoozer, but the soundtrack makes it impossible to doze off.
Fans will want to opt for the Region 2 disc if they wish to hear Kim yap away over the non-stop spectacle of female degradation.
It’s hard to imagine a documentary more foul-mouthed—or jaw-droppingly, side-splittingly hilarious—than The Aristocrats.
What primarily carries Chris Terrio’s film through its bumpy earnestness is its superb cast.
All too often the overly long and monotonous Après Vous serves up the unfunny kind of absurdity.
The film is a blundering debacle full of barely conceived characters.
The film’s acknowledgement that growing up often requires coming to terms with loss results in a mature, untidy view of adolescence.
It overflows with so many gay-centric gags that it’s a wonder the filmmakers didn’t utilize the film’s title for a penis-related pun.
Even the film’s DVD evokes a triumph of technical style over substance.
It offers a scathing critique of the military establishment, war, and its pervasive glorification.
The all-time favorite film of men who like to walk in on their friends having sex.
Madagascar fails to approximate rival CGI cartoon house Pixar’s trademark mix of hilarity and poignancy.