The singular nature of this play, brought to life by Kathryn Hunter’s exceptional lead performance, is reason enough to see this production.
On an almost bare stage, the scenes bleed into each other with little sense that the setting or situation has changed.
Keith Hamilton Cobb’s play offers a promising avenue into the future of Shakespeare performance.
If we’re going to update Hercules for 2019, let’s take Meg’s dreams of independence seriously.