An unbearable assemblage of recycled sitcom plots that aims to spotlight a specific breed of unashamedly mean-spirited witticisms.
“Fugue and Riffs” serves as both an immediately accessible intro to the series as well as a monumental payout for those following from the beginning.
Here’s an idea, Platinum Games, how about a true sequel to MadWorld for the Wii U?
It aims to capitalize on the minor triumph of Strike Back by delivering a sparingly entertaining ex-con-impersonates-a-sheriff revenge tale.
1600 Penn quickly announces itself as a slapsticky, family-driven alternative to HBO’s restlessly scathing Veep.
The game gives the impression that it possesses very few limitations.
Each and every character has a singular charisma all their own, adding increased depth to an already stunningly immersive melting pot of a role-playing universe.
Rather than each level being an unbroken, laggard endeavor as in Blood Money, the missions here are broken up into smaller, sectioned-off trials.
Multiplayer situations, whether online or local split screen, deliver approximately the same amount of flexibility as regular play without diminishing the variable fun factor.
Sticker Star may not in the running for the all-out best-looking 3DS game to date, but it is, without question, the title that takes the most advantage of the system’s 3D lever.
Another year, another missed opportunity to adequately translate this admired anime franchise into a durable fighter.
One glaring misfortune remains with the PlayStation 3 version of this HD Collection, and that is the game-collapsing defect found within the already generally subpar Metal Gear Rising: Revengeance demo.
Professor Layton and the Miracle Mask achieves a degree of gaming bliss that only appears every so often.
Successful progression through the game hinges upon prevailing in both the classic enigma-solving and story-focused dialogue segments.
007 Legends frustratingly drops the player right in the middle of a random scene from Sam Mendes’s Skyfall.
To its detriment, The League sometimes spends the majority of its half-hour running time rarely focusing on actual sports.
Ben Gibbard’s solo debut, Former Lives, is an album tailored to be listened to alone.
It has become the Energizer Bunny of cable TV sitcoms, a hyperactive, enduring burst of awkward hilarity and imprudently.
The Fun Fest Missions actually make a difference in how well you perform in other areas of the game, such as battling and trading.
Mumps, Etc. is a celebratory return to form for Why?