In the end, End of Poverty? is just too small-minded to succeed.
Like Werner Herzog, Denmark’s premiere provocateur knows not to be afraid to laugh at the absurdity of chaos.
Fixing the world won’t happen from easy confrontation via bullhorn, but by sparking the collective public consciousness with substantive alternative ideas.
Abel Ferrara’s heart is in the right place, but his mind is somewhere else.
The most interesting aspect of Capitalism: A Love Story, the latest doc from the once-radical Michael Moore, has nothing to do with the film's subject matter.
American Casino would seem more suited to print than to a visual medium like film.
In the end, it’s the profound existential questions that elevate Barthes’s film to pure artistry.
The only question that remains is who will play Flame and Citron in the requisite Hollywood remake.
Nollywood Babylon examines the world’s third largest film industry.
Unfortunately, Masha Novikova’s documentary doesn’t sizzle like its title, but merely fizzles out.
The film is a rigorously researched and highly thorough piece of investigative reporting on the silent epidemic that is Lyme disease.
It’s rare when a documentary comes along that truly shines a light on a virtually unexplored issue.
Reckoning renders a crucial judiciary of last resort about as inspiring as a conference call.
Portrait of an Artist as Rambo: A Conversation with Flooding with Love for the Kid’s Zackary Oberzan
Oberzan discusses his appreciation of action heroes, mind versus body control, Stallone versus Van Damme, and so much more.
A well-meaning dud, the film’s only defiance is testing its audience’s patience.
The straightforward, fly-on-the-wall approach that Nati Baratz takes doesn’t do justice to the supernatural aspect of such an incredible tale.
Offices, three short comedies about the cubicle world, is about as fun as a day job.
Steven Soderbergh merely grafts the wheeler-dealer movie industry he knows so well onto the sex biz and calls it a day.
The film merely reaffirms mainstream perceptions of New World Order theorists as disenfranchised crackpots.
Provocateur playwright and filmmaker Neil LaBute traffics in alternate reality.