Wonder Man is a series about intimacy, belonging, the importance of storytelling.
Gans’s film does away with all the psychosexual nuance of Silent Hill 2.
Ryan Prows’s film comes across as just straight-up exploitative.
The show’s fifth and final season boils down to a series of “Remember when?” moments.
Bitmap has sent game mechanics back in time and put them to work for good.
This is a Metroid game infected with elements from modern open-world titles.
Stewart’s feature-length directorial debut is a shattered portrait of female pain and power.
A committed cast raises David Freyne’s high-concept rom-com from out of purgatory.
The film’s details are warm and intimate, suggesting fondly remembered memories.
The game’s aesthetic choices are tailor made to send the player’s soul into the stratosphere.
The film attests to hope being a resource worth preserving in dark times.
This is a series about what happens when human empathy is stretched to its limit.
The action is inventive and heart-pounding, but it’s also the least surprising part of the film.
Obsidian takes a second interstellar jaunt and comes back lesser for the experience.
Returning to Stephen King’s cursed town proves to be a bumpy but engrossing ride.
Double Fine delivers a gentle puzzler elevated by beautifully trippy visuals.
Sucker Punch’s new Ghost makes a beautiful, bloody, lasting impression.
The horror here proves as much a dead end as the main characters’ relationship.
Johansson and Squibb discuss the process of endowing Eleanor with a sense of humanity.
The road to Silent Hill f’s unnerving vision of hell is paved with tedious mechanics.