Review: The Other Woman

The film is clearly wary of either being too saccharine or taking itself—or the notion of compulsive infidelity—too seriously, though its schadenfreude is unwavering.

Review: A Promise

Patrice Leconte struggles to find a coherent rhythm, a problem exacerbated by a hurried running time that compresses some of the novella’s more interesting socio-political nuances.

Review: Kid Cannabis

The film works best when it shows Jonathan Daniel Brown’s drug kingpin at his most inept and incapable, rather than elevating him to a pothead martyr.