This one was made for the fans, and they’ll delight in the latest surreal battle against the Tall Man.
The continued public fascination with the movie is that it was made during a politically conservative time.
This beautifully compelling story of compassion and love cannot be separated from the time the film was made.
Serbedzija is the perfect hero for Milcho Manchavski, a sardonically comical man’s man.
If it’s only as politically savvy as a college term paper, it’s also as gritty as an old-school western.
Each episode, amidst the futility of attempting to bite off more than it can chew, also offers scenes that stretch beyond the format.
Ben Stiller was thinking about himself and his friends when he wrote this film, but he left out the crucial third party that defines comedy: the audience.
Davis Guggenheim eschews the grandstanding of rock ‘n’ roll hero worship by attempting to be specific about the artist and his or her craft.
Look, not for a minute do I think executive producer David Simon is trying to kowtow.
I still don’t feel connected toGeneration Kill, now almost halfway through its run on HBO.
The extras are disappointing, but you can’t really go wrong with Scorsese and the Stones.
If you eliminate almost all of the sci-fi elements, you’re left with The X-Files: I Want to Believe.
The first combat episode ofGeneration Kill is analogous to lousy sex.
There’s an old saying that, in good storytelling, action precedes explanation and commitment precedes realization.
At times, I wanted to close my eyes to divert myself from the sea of images, since listening to music is a personal experience worth cherishing.
Adolescent pulp fantasia meets sentimental married life in Guillermo del Toro’s follow-up to his 2004 working-class superhero movie.
Until 24 is back on the air, we won’t be able to wash the bad taste of Vantage Point from our mouths.
Zack Winestine’s Caravan/Prague is a first person documentary account of a 500-mile bicycle caravan across Europe.
George A. Romero’s film holds up as a stark, eerie and unrelenting parable of dread.
This shocker from 1968 is a time capsule of our fears from yesteryear.