The sense of moral responsibility in Hitchcock’s films may have never felt more imperative and succinct.
In Hitchcock’s gay burlesque, Farley Granger learns the hard way not to lick what he can’t swallow.
It’s nothing more complicated than one elongated gay cruise joke-cum-horror story.
Can a career with as much popular and critical theory attached to it as Alfred Hitchcock’s still be said to include underrated masterpieces?
Hitchcock’s sexiest cipher is put to the test in one of his most undervalued masterpieces.
Annie Lennox isn’t above a little bit of self-deprecation, but Diva glides with a rich, feminine dignity that stands tall in pop history.
The film’s most unsettling aspect is in how it shows us how little we’ve changed as a culture.
Okay, are you sitting down? Anchor Bay has presented the film in no less than three separate cuts.
Warner Home Video has managed to present an extremely well-rounded collection of features.
Rated PG, for “penis gratification” during the sex number titled “I’m Coming For You.”
Prince’s tunes serve as the means by which his emotionally stifled character is allowed the opportunity to express his true feelings.
The Apple is an Old Testament movie in more ways than one.
“Pills for dinner! What are we: Judy Garland?”
The back of the box calls the film a Chinese puzzle. Are they sure they didn’t mean Chinese Water Torture?
It’s a tragedy to show up at work to give away more of your time when you’ve failed to define yourself the night before.
Is there an anamorphic screen big enough to handle the diva wattage of two Bette Davises?
It features the compelling spectacle of Bette Davis competing for screen space with the only actress capable of upstaging her: Bette Davis.
Here’s a movie that suggests cute, precocious pre-pubescent blond girls should get psychological counseling.
Scissor Sisters’s self-titled debut album is a fantastic, charming, breezy listen.
Throughout the album you’ll just want to pat them on the head for recognizing a great sample.