Cheng discusses his up-and-coming film career and his trip to Cannes with the cast and crew of Hollywood Ending.
John Sayles’s agenda is a very leftist one yet his execution is so carefully and subtly pointed to ever rely on smarmy, easy answers.
Malcolm D. Lee’s Undercover Brother is a witty piece of genre deconstruction.
It could be the most authentic representation of wilderness life ever put on screen.
Warner Home Video does an amazing job preserving Vilmos Zsigmond’s legendary cinematography.
This is perhaps the closest thing to a definitive Blue Velvet DVD one can expect.
David Lynch is less concerned with self-reference than he is with charting the uncomfortable crawlspace between boyhood and manhood.
There are enough features on Universal’s disc to make anyone crazy.
A terrible video transfer for a remarkable film that, at the very least, is still wonderful to listen to.
For the half dozen people who actually liked Rollerball, this DVD edition is a keeper.
In The Sum of All Fears, Evil is fond of anecdotes and opera music, speaks with ghoulish inflections, and consumes only luxury food products.
Christopher Nolan knows a good ice field when he sees one.
Notorious C.H.O. is Margaret Cho’s very bawdy vagina monologue.
El Bruto is relatively apolitical but that’s because Luis Buñuel is drunk on animal magnetism.
The commentary is an engaging reminder that good cinema can come from very small budgets.
Crowe’s trip down pop-culture lane gets the kind of ethereal DVD treatment it so deserves.
Snow Dogs gets the hearty DVD treatment even though someone should have thrown this film to the dogs.
The film feeds on the imagination of children and relishes the joy they find in creation.
Spirit: Stallion of the Cimarron is possibly the most disturbing animated film ever made.
Corky Romano gets a very limited DVD treatment.