Ripe for repeated viewings, this one is a definite keeper for the young ones.
The film’s message is as warm and intimate as its color palette and as heart-warming as the smile on Stitch’s face.
Luis Buñuel’s least favorite film is difficult to dismiss because it’s the great director’s most overtly political creation.
Juwanna Man is rated PG-13 for “Lil’ Kim’s booty not included.”
The transfer makes great use of the left and right speakers whenever water is splashing on screen or Kevin Spacey promises to drown.
It’s difficult to pay homage to bad television let alone bad television oblivious to its own subversions.
Mexican Bus Ride is a beautiful, spiritual film, albeit a messy one.
The Bourne Identity is too Hollywood to ever really sink its teeth into its protagonist’s existential crisis.
On the small screen, Amélie is somehow easier to swallow, but her whimsy is no less poisonous.
Good for a Saturday night with friends, though not one for the permanent collection.
Matthew Barney’s five-part, out-of-sequence Cremaster Cycle culminates with Cremaster 3, his most accomplished work to date.
A regal film fit for the king of all DVD collections.
Saving Private Ryan and Black Hawk Down set the unfortunate standard by which Hollywood shoots and maims soldiers for public consumption.
“Welcome to my church, where we worship money,” says the film’s Czech ghoul. Words fit for Bruckheimer.
Don’t be fooled by the fireside polemic that opens Callie Khouri’s The Divine Secrets of the Ya-Ya Sisterhood.
Not unlike Él, Luis Buñuel’s Ensayo de un Crimen is a twisted tragicomedy on male obsession.
This one is for Tarkovsky fans and anyone wanting to introduce themselves to the works of Russia’s greatest filmmaker.
The film may not deserve this much attention, but the work that went into this special DVD edition is evident and it certainly pays off.
These shorts are breathless reminders of what queer cinema was like before Billy’s Hollywood Screen Kiss.
For fans of George Kuchar’s camp, Todd Haynes’s Americana, and the early work of Van Sant and John Schlesinger.