Amateurish and hyperbolic, this animated feature directed by Pasha Roberts makes quite clear his political leanings.
The film is a tender character portrait rooted in deep curiosity and sympathy for its subject.
The film emerged in the midst of a political sea change for Jean-Luc Godard.
A feigned attempt at a stereotypically quirky indie film that has virtually nothing in the way of formal sophistication or narrative ambition.
It’s tough to watch Werner Herzog indulge in self-parody, which is unbecoming of him and ultimately worthless.