Amateurish and hyperbolic, this animated feature directed by Pasha Roberts makes quite clear his political leanings.
The film is a tender character portrait rooted in deep curiosity and sympathy for its subject.
The film emerged in the midst of a political sea change for Jean-Luc Godard.
A feigned attempt at a stereotypically quirky indie film that has virtually nothing in the way of formal sophistication or narrative ambition.
The film takes a look at the past, present, and future of a global initiative to save the planet from any number of ecological disasters.
It’s tough to watch Werner Herzog indulge in self-parody, which is unbecoming of him and ultimately worthless.
Writer-director Barry Battles’s film revels in hicks-ploitation sleaze.
The film suffers from its main character’s lack of fortitude, be it formally, narratively, or otherwise.
Jesse Vile’s film, despite its best intentions, is merely a serviceable extension of his own fandom.
Bill and Turner Ross’s Tchoupitoulas is a richly impressionistic evocation of the sights, sounds, and personalities of New Orleans at nighttime.