Review: The Words

The film folds narratives on top of narratives in a vain attempt to mask the fact that there’s nothing to read between its graceless lines.

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Review: In Bruges

Martin McDonagh is far too pleased with stuffing his characters’ mouths full of overly written speeches and one-liners.

Review: Manderlay

The Brechtian formalism that stirred the more ambiguous Dogville’s philosophical inquisitions is put to uninspired use in Manderlay.