Jordan Galland confidently perches the film right on the razor’s edge separating absurdist comedy from horror.
The filmmakers’ inquiry-free recipe for disaster is to idealize everyone’s unchecked narcissism and idle privilege.
This final season of Damages ups the ante by conflating a banking scam with the murky legality of a WikiLeaks-like website.
After Life During Wartime, Dark Horse feels like a regression for Todd Solondz.
The film is a throbbing tale of lust and love, an aching chronicle of a relationship’s fall, a heartbreaking account of addiction.
Keep the Lights On explores the ways in which one lover’s drug abuse steadily undermines a couple’s mutual trust.
For as impressively accurate as this film is, it still comes off as a purely moneymaking venture.