‘Two Pianos’ Review: Arnaud Desplechin’s Deeply Odd Melodrama Loses the Plot by Chris Barsanti April 26, 2026 Two Pianos only flirts with questions about the sacrifices made for art.
‘Red Island’ Review: Robin Campillo’s Remembrance of Things Past by Ryan Swen August 13, 2024 Campillo’s oddly paradoxical film is at once lackadaisical and urgent.
‘The Crime Is Mine’ Review: François Ozon’s Impassioned Feminist Showbiz Caper by Chris Barsanti December 18, 2023 The Crime Is Mine draws on the same giddily rules-trampling pre-war mood as Chicago.