Although the plot and star have been recycled, El Dorado is still a gold standard of the western genre.
Wes Anderson has a great deal of empathy for his charming band of fuck-ups, but these characters are thinly drawn.
The film provides a sweet, funny look at a young director finding his voice.
Essential in the truest sense of the word.
Most of the action-movie stuff, particularly an endless plane-and-car chase climax, is astoundingly played straight.
Much of “Christopher” seems more appropriate for an op-ed piece than as a crucial hour in a terrific episodic television program.
Society says that real men don’t eat quiche, and they don’t cry.
It shouldn’t come as a surprise that Will Ferrell’s insane performance almost saves the show.
Dogville is less anti-American than it is, quite simply, anti-oppression.