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Proud to Be (Un)American

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Proud to Be (Un)American

We’ve entered the final stretch of the presidential election and the drowning McCain campaign has resorted to the oldest playground tactic in the book: name-calling. Last week it was “anti-American,” a tack recommended to Hillary Clinton by a top advisor last year but which the senator wisely declined to exercise. This is nothing new, of course: False accusations that Barack Obama doesn’t wear a flag pin, that he refuses to pledge allegiance to the American flag, and that he’s a Muslim have circulated throughout the Internet and by the mainstream media for over a year. But the candidate managed to escape those scurrilous claims—at least enough to win his party’s nomination and take a lead in the latest polls. And so, desperately, deliberately and recklessly, surrogates for John McCain have decided to go whole-hog, with Minnesota Rep. Michele Bachmann summoning the worst in our country’s political history by suggesting Obama is anti-American and calling for a McCarthyite witch hunt in Congress.

At a rally in Waukesha, Wisconsin earlier this month, a McCain supporter took the microphone and declared his uncontainable anger: “I’m mad. I’m really mad, and what may surprise you is it’s not the economy,” he spat to a roar of cheers. “We’ve got to have our heads examined,” he continued, referring to the prospect of electing Obama as our next president. “It’s time to have you two [McCain and Vice Presidential lightning rod Sarah Palin] represent us. So go get ’em.” It was a call for the McCain campaign to get tougher—and presumably dirtier—on Obama, and when I first saw a clip of the man’s rant on television, I wondered what could possibly have filled him with such anger, hatred and resentment. After all, his party has held the presidency for 20 out of the last 28 years and has had control of Congress for 12 out of the last 14. I thought, “He’s angry?”

So what is Joe Angry really peeved about? “It’s the socialists taking over our country!” he declared to another round of hearty cheers and chants of “U.S.A.!,” as if every election is the fucking Super Bowl and only one side has the country at heart, like each nation in a war believes it has God on its side. Bachmann was repudiated by many in her own party, but Palin has gone one step further with no complaint, implying that not only is the Democratic party’s presidential nominee anti-American, that certain geographical regions of America itself are anti-American, that the “real” America and real “patriots” can be found in “small towns,” but that Obama is a socialist, a tag that has been repeated ad nauseam by those in and outside the campaign. No longer content to call their Democratic opponents “tax-and-spend liberals,” they’ve reduced a policy criticism to a fear-mongering smear.

Using fear, of course, is the neoconservative movement’s modus operandi. On Hannity & Colmes last night, Sean Hannity and former Speaker of the House Newt Gingrich postulated that the Obama-Biden ticket is lying about their tax policy, which proposes to lower taxes for Americans making less than $200K and raising taxes for those making over $250K. With absolutely no evidence for such a claim, the pair volleyed the idea back and forth, with Hannity proudly showing a montage of dubiously edited clips alleging that the threshold for people who will enjoy a tax cut under Obama has been lowered from $250K to $200K and now $150K. What he and Gingrich are intentionally ignoring is something a six-year-old could understand. Obama has never claimed that those who make $249,999 will get a tax cut. His policy is clear: Those making less than $200K will get a tax break; those making between $200K and $250K won’t see a change; those making more than $250K will see a tax increase. It’s first-grade math and they’re distorting the plan by conflating two different statements to make it seem like Obama is lying when the fact is that they’re the liars.

As for that $150K figure: In an interview with a local television station in his hometown of Scranton, Pennsylvania, Biden defended the Obama plan by saying that an “$87 billion tax break doesn’t need to go to people making an average of $1.4 million. It should go, like it used to, to middle-class people—people making under $150,000 a year.” It’s unclear whether the discrepancy between $200K and $150K was simply an error on Biden’s part or if, as an aide told MSNBC, he was using the figure to arbitrarily represent what he considers the “middle class” (after all, he randomly chose the figure $1.4 million and no one is suggesting that they’re only going to increase taxes for those making over that amount), but there’s no evidence to suggest that their tax plan has changed at all. And it shouldn’t come as a surprise that the right wing is slicing and dicing these figures and quotes. In his misleading piece “Obama, Biden Shift ’Tax Break’ Threshold,” Rick Pedraza stripped Biden’s statement of a key phrase, “like it used to”—four little words that couldn’t have possibly affected his word count very much but which conveniently ignores a key component to the Democrats’ policy: returning tax rates to what they were under Bill Clinton.

Mainstream and fringe pundits alike have pounced on Obama’s use of the phrase “spread the wealth” during his conversation with Joe the Plumber, seizing the opportunity to liken the Senator to a communist, even quoting Karl Marx. After the Drudge Report unearthed an audio interview in which Obama discussed the courts’ involvement (or lack thereof) in economic redistribution in the wake of the civil rights movement, the right cried that it was proof of Obama’s frightening plan to socialize the United States. Rush Limbaugh—who is so afraid of Obama that he attempted to upset his nomination by encouraging listeners to vote for Clinton during the primary and called for bloodshed in the streets at the Democratic convention—laughably parsed Obama’s words, claiming the senator “flatly rejected” the Constitution and thinks it’s “flawed.” (Limbaugh even recycled the “he doesn’t wear a flag pin” myth to hammer his point home.) What Obama was, in fact, referring to was the failure of the Constitution to outlaw slavery and its distinction of African-Americans as three-fifths of a person.

An essential component to realizing Martin Luther King Jr.’s dream of racial equality is economic equality. King himself recognized economic parity as not just a product of the civil rights movement but a requirement for it. Last summer, the House of Representatives passed a resolution apologizing for slavery and acknowledged that “the vestiges of Jim Crow continue to this day.” Though the resolution did not address reparations, some have called on the U.S. government to provide financial benefits to descendants of slavery, a proposal I personally take issue with but which can and should be addressed within the current progressive tax system—specifically, tax legislation that more broadly helps the middle class and the poor, of which many oppressed groups are largely a part.

The utter absurdity of calling Obama’s views on tax policy “socialism” is astounding. The Wall Street bailout is the epitome of socialized government, which is why this latest stream of attacks doesn’t seem to be working for Republicans. Most of the country is now in favor of socializing health care—at least to a degree. And Democratic socialism has, for the most part, succeeded in Europe, while much of our country has already been socialized: Medicare, the U.S. Postal Service, Social Security—hell, the patron saint of the Republican party, Ronald Reagan, even increased taxes to save the Social Security system with a $165 bailout back in the early 1980s.

Calling Obama a socialist is, of course, code for—you guessed it—“un-American,” which is code for, you know, Muslim…or black…or anything scary to the average white Middle American. So, to Sarah Palin and Rush Limbaugh and Sean Hannity and Newt Gingrich and Michele Bachmann and Joe Angry, I ask this: What is “un-American”? Is it un-American to declare a war on a sovereign nation that hasn’t attacked you? To defy the Geneva Conventions? To fire U.S. attorneys because they refuse to carry out partisan investigations? To attempt to use the Constitution to limit the rights of U.S. citizens? To suspend habeas corpus? To eavesdrop on U.S. citizens without court approval? To protect big corporations ahead of protecting the people? To neglect U.S. veterans when they’ve returned maimed or emotionally traumatized? To out a C.I.A. operative as political payback? To encourage war profiteering by offering no-bid contracts to mercenaries and private companies with no oversight or accountability? To let people perish in a hurricane? To neglect the environment, deny global warming and alter scientific data in the interest of big business? To wage war without asking the American people to support it by paying for it? To attempt to bolster one branch of the U.S. government in the name of attaining more power? To ignore over 1,000 provisions of U.S. law in an unprecedented use of “signing statements”? To abuse executive privilege to hide criminal activity and incompetence within an administration?

Lack of self-awareness isn’t a monopoly held by politicians, let alone Republicans, but Sarah Palin should hang a plaque alongside her myriad moose heads. She is the latest holy hypocrite to be propped up and exalted by the Republican party: Her husband was, or still is, a secessionist (anti-American—check!) and she runs a state where, to quote her in The New Yorker last month, “Alaskans collectively own the resources, so we share in the wealth when the development of those resources occurs” (socialist—check!). The lady better grab herself a dictionary, a copy of the Constitution and probably a newspaper before she even considers a 2012 run for the White House.

This blog entry was originally published on Slant Magazine on the date above.

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Watch the First Trailer for Martin Scorsese’s The Irishman

Today, Netflix has given us our first look at the film, which stars Robert De Niro, Al Pacino, and Joe Pesci.

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The Irishman
Photo: Netflix

On Monday, it was announced that The Irishman, Martin Scorsese’s adaptation of Charles Brandt’s nonfiction book I Heard You Paint Houses, will open this year’s New York Film Festival. And today, Netflix, which will release the film in select theaters and on its streaming service at some point later in the year, has given us our first look at the production, which stars Robert De Niro, Al Pacino, and Joe Pesci.

According to Netflix’s official description, The Irishman is “an epic saga of organized crime in post-war America told through the eyes of World War II veteran Frank Sheeran, a hustler and hitman who worked alongside some of the most notorious figures of the 20th century. Spanning decades, the film chronicles one of the greatest unsolved mysteries in American history, the disappearance of legendary union boss Jimmy Hoffa, and offers a monumental journey through the hidden corridors of organized crime.”

In a statement from Film at Lincoln Center, New York Film Festival director Kent Jones, a frequent collaborator of Scorsese’s, said that The Irishman is “the work of masters, made with a command of the art of cinema that I’ve seen very rarely in my lifetime, and it plays out at a level of subtlety and human intimacy that truly stunned me.”

See the kinetic trailer, which provides us with our first look of the film’s sure-to-be-controversial “de-aging” VFX techniques, below:

The Irishman will premiere at the New York Film Festival on September 27.

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Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer

The film follows a young Chinese woman who disguises herself as a warrior in order to spare her ailing father from war.

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Mulan
Photo: Walt Disney Studios Motion Pictures

Today, during the Women’s World Cup final between America and the Netherlands, Disney premiered the first trailer for its live-action remake of the 1998 animated move of the same name. The film follows a young Chinese woman (Yifei Liu) who, after the Emperor of China (Jet Li) issues a decree that one man per family must serve in the Imperial army, disguises herself as a warrior in order to spare the life of her ailing father (Tzi Ma). According to Disney’s official description of the film: “Masquerading as a man, Hua Jun, she is tested every step of the way and must harness her inner strength and embrace her true potential. It is an epic journey that will transform her into an honored warrior and earn her the respect of a grateful nation…and a proud father.”

Mulan features a celebrated international cast that also includes Donnie Yen as Commander Tung, Jason Scott Lee as Böri Khan, Yoson An as Cheng Honghui, and Gong Li as Xianniang. The film is directed by Niki Caro from a screenplay by Rick Jaffa, Amanda Silver, Elizabeth Martin, and Lauren Hynek based on the narrative poem “The Ballad of Mulan.”

See the action-packed teaser trailer below:

Disney will release Mulan in March 2020.

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Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video

The video takes the notion of visibility as a means of acceptance to the extreme.

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Taylor Swift
Photo: YouTube

After years of political agnosticism, Taylor Swift endorsed two Tennessee Democrats during the 2018 midterm elections, prompting a backlash from white supremacists and their dear leader, Donald Trump. In the span of less than a year, the singer went from being the Aryan goddess of the alt-right to being called out as an agent of sodomy in a sermon by a homophobic pastor and sheriff’s deputy in her home state.

Swift’s path to wokeness has been a long one, and while the launch of her new single, “You Need to Calm Down,” during LGBT Pride Month might feel like the equivalent of Google slapping a rainbow flag on their logo, her activism—which included a recent $113,000 donation to a Tennessee LGBT organization—seems like more than just a branding opportunity. “To be an ally is to understand the difference between advocating and baiting,” Swift posted on Tumblr after rumors circulated that she kisses former rival Katy Perry in the video for “You Need to Calm Down,” the second single from Swift’s seventh album, Lover.

The clip does, however, take the notion of visibility as a means of acceptance to the extreme, featuring cameos from RuPaul, Ellen DeGeneres, Adam Lambert, Adam Rippon, Laverne Cox, Billy Porter, Jesse Tyler Ferguson (whom she serenaded at a surprise performance at New York’s Stonewall Inn last week), and other queer celebrities, YouTube stars, and allies.

Directed by Swift and Drew Kirsch, the video opens with the pop singer waking up in a pastel-colored trailer home adorned with kitschy paintings and a framed Cher quote (“Mom, I am a rich man”). She makes herself a cotton-candy smoothie, takes a dip the cleanest above-ground pool you’ll ever see, and parades through the trailer park’s pride-themed festivities, which includes a “pop queen pageant” featuring drag versions of Swift, Ariana Grande, Lady Gaga, Adele, Cardi B, Beyoncé, Nicki Minaj, and Katy Perry.

The real Katy pops up for a heartfelt reunion with Swift that makes “You Need to Calm Down”—which seems to strive for, but falls short of, the campy eye candy that Perry has honed in her own videos over the years—feel like a bachelorette party at a gay bar. But just in case you question Swift’s allegiance to the cause, the video ends with a message urging viewers to sign her petition for Senate support of the Equality Act.

Watch below:

Swift’s album, Lover, is due August 23 via Republic Records.

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Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch

The self-described transfeminine rapper stars in the video from the queen of pop’s upcoming album Madame X.

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Mykki Blanco
Photo: YouTube

While presenting Madonna with GLAAD’s Advocate for Change award last month, Mykki Blanco hinted that a collaboration with the queen of pop might be imminent. Sure enough, the self-described transfeminine rapper stars in the video for “Dark Ballet,” the final track to be released in the lead-up to Madonna’s new album, Madame X.

Directed by Dutch Ghanaian visual artist Emmanuel Adjei, “Dark Ballet” echoes the themes of Madonna’s infamous “Like a Prayer” video, awash with Catholic iconography and a storyline revolving around a persecuted black person. But that’s where the similarities end. The singer only briefly appears in the clip, behind a black veil, and the burning crosses of her 1989 video are traded for a ceremonial burning at the stake.

The video is frenetic and non-linear, opening with Blanco held captive in a stonewalled room, wrapped in a dirty white robe. Wrists bound with rope, he’s led by clergymen to be executed for an undisclosed crime. He’s then seen dancing, first in a cathedral—pleading with the men, who forsake him—and then in the church’s sanctuary, dressed in a gold corset reminiscent of the iconic one designed by Jean Paul Gaultier for Madonna’s Blond Ambition Tour. Madonna is, in effect, all over the video, but her casting of a queer person of color as the oppressed, rather than herself, spotlights the disproportionate impact of the patriarchy on minorities.

Produced by Madonna and longtime collaborator Mirwais, the song itself is an ambitious electro suite featuring a heavily Auto-Tuned denouncement of gender, lies, and fame, before the track breaks into Tchaikovsky’s “Dance of the Reed Pipes” from The Nutcracker accompanied by a robot Joan of Arc proclaiming her faith. (There’s a brief, blink-and-you’ll-miss-it shot from Carl Theodor Dreyer’s 1928 film The Passion of Joan of Arc near the beginning of the video.) The song is a reminder of the wacky magic Madonna and Mirwais are capable of cooking up together.

Watch below:

Madame X will be released on June 14 via Interscope Records.

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James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer

It has been a wild ride to the screen for the film, which Gray announced way back in 2016 at the Cannes Film Festival.

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Ad Astra
Photo: 20th Century Fox

It has been a wild ride to the screen for Ad Astra, which director James Gray announced way back in 2016 at the Cannes Film Festival. Originally it was set to come out in the doldrums of January, then on May 24, but as a trailer had yet to be announced in the leadup to that date, it was inevitable that the release would get bumped again. And it was probably for the best, as a film with the obvious ambition as this one wouldn’t get the attention it deserved from its studio—or is it studios?—had it opened in the midst of the confusing Disney-Fox Hollywood merger continuing to play out at that time.

Anyway, today we’ve been gifted with the official trailer for Ad Astra, and the official announcement that it will be coming out on September 20, which suggests that a world premiere at a fall festival is in order. The film tells the story of an astronaut, Roy McBride (Brad Pitt), who “travels to the outer edges of the solar system to find his missing father and unravel a mystery that threatens the survival of our planet.”

Shot by Oscar-nominated cinematographer Hoyte Van Hoytema (Dunkirk) and scored by post-minimalist composer Max Richter, Ad Astra has been likened by Gray to Joseph Conrad’s Heart of Darkness, and described as “the most realistic depiction of space travel that’s been put in a movie and to basically say, ‘Space is awfully hostile to us.’” In addition to Pitt, who’s also a producer on the film, Ad Astra stars Tommy Lee Jones, Ruth Negga, Liv Tyler, Donald Sutherland, Jamie Kennedy, John Finn, Kimberly Elise, Bobby Nish, and LisaGay Hamilton.

Watch the official trailer below:

20th Century Fox will release Ad Astra on September 20.

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Terminator: Dark Fate Official Trailer: Going Back to the Well with Sarah Connor

Linda Hamilton at least makes a killer impression as Sarah visits fiery justice upon Gabriel Luna’s terminator.

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Terminator: Dark Fate
Photo: Paramount Pictures

Today, Paramount dropped the trailer for the sixth entry in the Terminator series, Terminator: Dark Fate, which promises to deliver…more of the same? With this film, Deadpool director Tim Miller aims to give the series a reboot: by pretending that none of the films that came after Terminator 2: Judgement Day ever existed (sorry, Rise of the Machines fans), maybe even Terminator: The Sarah Connor Chronicles. “Welcome to the day after judgment day,” reads the poster, promising the badass return of Linda Hamilton’s Sarah Connor. And on that front, the film looks to deliver, as Hamilton certainly makes a killer impression as Sarah visits fiery justice upon Gabriel Luna’s terminator.

But based on everything else that’s on display throughout the trailer, we’re worried that there’s not anything new that a film in this series stands to bring to the table besides running and gunning, with the occasional wink thrown in for good measure. Cast in point: Mackenzie Davis stars as Grace, an “enhanced human” who looks to fill the hanger-on role to Connor that Edward Furlong’s John Connor did to Arnold Schwarzenegger’s T-800, now apparently living in woodsy retirement, and at the ready to give sage advice. In short, we’re not impressed, and that also holds true of that cover of Björk’s “Hunter” by some zombie man singer.

Watch the official trailer below:

Paramount Pictures will release Terminator Dark Fate on November 1.

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The Nightingale Trailer: Aisling Franciosi and Sam Claflin Star in Jennifer Kent’s Follow-Up to The Babadook

Today, IFC has released the first trailer for the film, which is set during the colonization of Australia in 1825.

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The Nightingale
Photo: Matt Nettheim

Jennifer Kent’s The Nightingale, the Aussie filmmaker’s much-anticipated follow-up to The Babadook, premiered way back in September at the Venice Film Festival, and to mostly positive notices. Today, ahead of its U.S. theatrical release in August, IFC has released the first trailer for the film, which is set during the colonization of Australia in 1825 and follows a young Irish convict settler, Clare (played by Aisling Franciosi), who, after finishing her seven-year sentence, struggles to be free of her abusive master, Lieutenant Hawkins (Sam Claflin). According to the studio’s official description of the film:

Clare’s husband Aidan (Michael Sheasby) retaliates and she becomes the victim of a harrowing crime at the hands of the lieutenant and his cronies. When British authorities fail to deliver justice, Clare decides to pursue Hawkins, who leaves his post suddenly to secure a captaincy up north. Unable to find compatriots for her journey, she is forced to enlist the help of a young Aboriginal tracker Billy (Baykali Ganambarr) who grudgingly takes her through the rugged wilderness to track down Hawkins. The terrain and the prevailing hostilities are frightening, as fighting between the original inhabitants of the land and its colonizers plays out in what is now known as “The Black War.” Clare and Billy are hostile towards each other from the outset, both suffering their own traumas and mutual distrust, but as their journey leads them deeper into the wilderness, they must learn to find empathy for one another, while weighing the true cost of revenge.

Watch the official trailer below:

IFC Films will release The Nightingale in NY and LA on August 2.

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Downton Abbey Trailer Sees the Crawley Clan Prepping for a Royal Arrival

Kippers for breakfast, Aunt Helga? Is it St. Swithin’s Day already? No, it ain’t, dear. ‘Tis Downtown Abbey Day.

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Downton Abbey
Photo: Focus Features

Kippers for breakfast, Aunt Helga? Is it St. Swithin’s Day already? No, it ain’t, dear. ‘Tis Downton Abbey Day—that is, the release of the official trailer for the Downton Abbey movie. It’s been some three years since we’ve gotten to sip tea with the Crawley clan and hang out downstairs with the servants making sure that the biscuits are placed just right on the proper fine bone china tea set. And from the looks of the two-and-a-half-minute trailer, it would appear that nothing has changed at Downton Abbey since the series’s finale.

In the tradition of Mad Men’s episode-ending “next week on AMC’s Mad Men” teasers, it’s just a series of snappy snippets that suggest we’re in for more of the same, from Maggie Smith’s Dowager Countess of Grantham snarking up a storm to Robert James-Collier’s Thomas Barrow getting his gay on. And we are here for it. The cherry on top? The king and queen are coming to Downton! And as everything must be in tip-top shape for their arrival, the Crawleys must enlist the help of the one and only Charles Carson (Jim Carter), who is treated here with the reverence of a god, or a superhero from the Marvel Cinematic Universe.

Downton Abbey is directed by Michael Engler and written by Oscar- and Emmy-winning screenwriter Julian Fellowes. And in addition to the aforementioned actors, the film stars Hugh Bonneville, Laura Carmichael, Brendan Coyle, Michelle Dockery, Kevin Doyle, Joanne Froggatt, Matthew Goode, Harry Hadden-Paton, David Haig, Geraldine James, Simon Jones, Allen Leech, Phyllis Logan, Elizabeth McGovern, Sophie McShera, Tuppence Middleton, Stephen Campbell Moore, Lesley Nicol, Kate Phillips, Imelda Staunton, and Penelope Wilton.

Watch the official trailer below:

Focus Features will release Downton Abbey on September 20.

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Watch the Teaser Trailer for Andy Muschietti’s It Chapter Two, Starring Jessica Chastain and Bill Hader

The teaser seems hell-bent on satisfying those who found the first film to be an over-directed succession of freakouts.

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It Chapter Two
Photo: Warner Bros.

Today, Warner Bros. revealed the teaser trailer for It Chapter Two, Andy Muschietti’s highly anticipated follow-up to his worldwide box-office smash It. The teaser is certainly promising, if only because it seems hell-bent on satisfying above all else those who might have found the first film to be an over-directed succession of freakouts. Indeed, while the trendy retroism of that film is certainly evident across this teaser’s three minutes, there’s something rather impressive about how it forces us to spend so much time stewing in the atmosphere of dread that slowly overcomes the adult Beverly (Jessica Chastain) inside an old woman’s house as she comes to realize that she and other grown-up members of the Losers Club may not have fully shaken off the horror that is Pennywise.

In addition to Chastain, It Chapter Two stars James McAvoy as Bill, Bill Hader as Richie, Isaiah Mustafa as Mike, Jay Ryan as Ben, James Ransone as Eddie, and Andy Bean as Stanley. Reprising their roles as the original members of the Losers Club are Jaeden Martell as Bill, Wyatt Oleff as Stanley, Jack Dylan Grazer as Eddie, Finn Wolfhard as Richie, Sophia Lillis as Beverly, Chosen Jacobs as Mike, and Jeremy Ray Taylor as Ben. And, of course, there’s Bill Skarsgård, who reprises his role of Pennywise.

See the teaser trailer below:

Warner Bros. will release It Chapter Two on September 6.

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Francis Ford Coppola’s Apocalypse Now Final Cut Coming to Theaters in August

The film remains as legendary for its artistry as it is for the difficulty of its making.

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Apocalypse Now Final Cut
Photo: Paramount Pictures

Francis Ford Coppola’s Apocalypse Now is as legendary for its artistry as it is for the difficulty of its making. Some have argued that Coppola became the victim of the film’s legend with the 2001 release of Apocalypse Now Redux, a significant re-edit of the original film put together by the director and editor Walter Murch. The two most famous additions made to the original had its naysayers for being flow-breaking: the second meeting with the Playboy playmates, and the meeting with a family of holdout French colonists on a remote rubber plantation. I recommend you read the responses to this tweet from critic Glenn Kenny to get a sense of what we have in store from the new, never-before-seen restored version of the film, entitled Apocalypse Now: Final Cut, coming our way in August.

According to Lionsgate, the film, which premiered at the Tribeca Film Festival on Sunday, has been remastered from the original negative in 4K Ultra HD.

The Beacon Theatre will be outfitted for this exclusive occasion with Meyer VLFC (Very Low Frequency Control), a ground-breaking loudspeaker system engineered to output audio frequencies below the limits of human hearing, giving the audience a truly visceral experience. In addition, the film has been enhanced with Dolby Vision, delivering spectacular colors and highlights that are up to 40 times brighter and blacks that are 10 times darker, and Dolby Atmos, producing moving audio that flows all around you with breathtaking realism.

Audiences will be able to experience a special NAGRA myCinema theatrical release of Apocalypse Now Final Cut on the giant screen in select theaters nationwide on August 15. Then, on August 27, the film will be available to own on a 4K Ultra HD Combo Pack, which will include a 4K disc, plus three Blu-ray discs and a digital copy.

Watch the trailer for the film below:

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