The album sees the singer-songwriter moving in a different direction.
In hindsight, the band’s debut plays like an inverse of their final album.
While not always successful, the album is as forward-minded as it is captivating.
On their fifth studio album, the band mixes comedy with contemplation.
Timony’s melodies and arrangements retain a touch of the timeless and otherworldly.
Alynda Segarra continues to ground urgent messaging in personal and vulnerable storytelling.
The girl may have no face, but she certainly has a voice.
On Still, de Casier expresses a newfound degree of doubt and romantic turmoil.
Whether or not Lopez views choosing love over all else as a cautionary tale, her lack of cynicism is admirable.
The album could have benefited from more free-flowing song structures and unconventional arrangements.
The album feels less driven by creative ingenuity or an aesthetic vision than by sheer showmanship.
The album underpins its more personal and emotional lyrics with rich, layered arrangements.
The sturm und drang coursing through Wolfe’s songs is potent and deeply felt.
The album’s skeletal beats seem to inspire a more minimalist approach to songwriting.
Looking back at the song, what stands out most is its bonkers musical arrangement and video.
Carlisle’s third studio album firmly places him in the lineage of Bob Dylan and John Prine.
The singer ruminates on the joyous upheavals that come with marriage.
Like the beats themselves, the songs on the album are bracingly blunt.
With their seventh studio album, the Baltimore band offers up more of the same.
The album is another solid effort in an unexpectedly fruitful late period.
Three decades into their career, the band continues to strike a balance between teen spirit and maturity.