Review: Inferno

Dario Argento undervalues his material, but his set pieces are glorious enough that the film’s plot contrivances can be forgiven.

Review: Lantana

Ray Lawrence’s Lantana is a multi-character relationship saga disguised as a bubbling thriller.

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Review: Tenebre

The success of Dario Argento’s masterpiece depends on the spectator’s appreciation for its rigid self-reflexivity.

Review: How High

How High is perhaps best savored during that peak high where a Costner landscape begins to resemble a Malick existential crisis.

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Review: Kandahar

The film is an absurd, sometimes heavy-handed, but never less than evocative ode to the perpetually disguised Afghan woman.

Review: Out Cold

As if conceived during a Dukes of Hazzard shooting hiatus, Out Cold may be retro, but it’s sans daisy dukes.

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Review: Iris

Despite Richard Eyre’s flowery direction, there’s a brave humanism at work here as Iris.

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