Hud is a mournful lament for a passing of a way of life and a meditation on the ways forward.
Lam’s brutal Hong Kong thriller looks better than ever on Shout!’s 4K release.
Route One/USA unfurls as an extended series of snapshots of America.
Davis’s film is a singular blend of character drama and historical lesson.
Epstein inserts dreamy, almost mythic, flourishes into the even the most realistic scenes.
The plot of the film is almost secondary to its fabulous set pieces.
Cohen’s film is a barbed satire of 1980s consumer culture.
This set presents five of the martial arts star’s earliest and most beloved hits.
Nichols’s divisive fourth feature is a fascinating cultural artifact.
Age hasn’t dulled the heartache of Lonergan’s finely tuned portrayal of grief.
Murakawa’s unorthodox, bleak neo-noir from 1980 receives a gorgeous transfer.
The film is a highly stylized, compassionate, and unflinching examination of sex work.
Coogler’s film receives one of the most dazzling home video presentations of the year.
These transfers are worthy of being screened at the Cinémathèque Française.
Barry Lyndon gets a new, suitably jaw-dropping 4K digital restoration.
The Big Heat is a feast of resonant, unsentimental terseness.
Zwerin’s documentary is essential for its implicit reflection on the ethics of portraiture.
The film proves that biopics needn’t color within the lines to effectively portray their subjects.
At least in the hearts of its underserved audience, the film flourishes to this day.
Burnett’s unorthodox, affirming comedy receives a long-overdue video release.
Midnight is tautly scripted, brilliantly structured, and exquisitely acted.