The common refrain this season has been one of despair, of theatrical death by dearth.
The only viable contenders for this award are films populated by those who our boss baby in chief is committed to keeping out of the U.S.
Jonny Greenwood’s florid work on Phantom Thread culminates what, for most Radiohead and PTA fans, has been the ultimate best-case scenario.
Throughout the awards season, Frances McDormand has remained impervious to the controversy whirling around Three Billboards.
To look back at the category’s history reveals that it has swung back and forth between monster latex and regal lace fronts as widely as the nation’s own political pendulum.
This short category’s best nominee, Heroin(e), is nowhere near as cloying as its title would appear to imply.
Somehow, Katja Benrath and Tobias Rosen’s Watu Wote avoids being the most infomercial-adjacent nominee.
Our gurus of gold are in agreement that Garden Party has set a new bar for photorealism in animation.
Oscar nominations were announced Tuesday morning, with Guillermo del Toro’s The Shape of Water leading the way with 13 nominations.
Until proven otherwise, we see no reason not to be optimistic about the Grand Pooh-Bah of film prizes’ potential for further underdog surprises.
Cannes isn’t the Oscars, but there’s still a certain formula that often defines the recipients of the Palme d’Or.
This is a complete list of our predicted winners at the 2017 Academy Awards with links to individual articles.
Wouldn’t it be heartening if the Academy of Motion Picture Arts and Sciences threw a bone to the real world?
It’s difficult to not give the side-eye to Moonlight’s slotting in the category of adapted screenplay.
Not every category seems to have cleared the decks for a La La Land rampage. But some slates have aroused our suspicions.
There’s only so many ways one can say that the average Academy member can’t tell the difference between sound mixing and sound editing.
There are only three statuses to assign to La La Land’s Oscar chances: all sewed up, highly probable, and Ryan Gosling.
To those who’ve been relishing the shade Eric has been throwing at La La Land, I apologize, because I will not be taking Emma Stone to the library today.
No film has reached the current record for most Academy Awards won (11, at least for the next nine days) without also taking this award.
We’re at that point in our rolling Oscar prediction coverage when fatigue turns to exasperation.
La La Land editor Tom Cross may even deserve this for cutting dance sequences around Ryan Gosling’s meandering, apathetic dudebro saunter.