Unfortunately, there are no extra features on this release aside from a lengthy trailer.
Mariah is in fine voice throughout the album, and there are plenty of inspired moments.
“Kill the bill!” is the new “Drill, baby, drill!”
The New Voice lives more contently in the midtempo numbers that allow her to sink into the grooves.
Colbie Caillat’s music is so banal and nondescript that even the most lovesick listener will be hard-pressed to feel moved.
Just find “Bush” and replace-all with “Obama” and you’ve got the party’s current talking points.
You’d be forgiven for confusing Anjulie’s self-titled debut for an album by Nelly Furtado.
The most inane argument against reform is that it will reduce the quality of coverage and access to care.
Sparks is a pop artist and makes no bones about it here.
The villains in the battle over health care reform in the U.S. are obvious, right?
When the only pull quote Disney could scrape up for the back of the box is “Fans will love it!,” it’s safe to assume you won’t.
It’s important to call Dr. George Tiller’s murder an act of domestic terrorism.
The focus of the bonus features is rightfully on Kate Winslet and Leonardo DiCaprio’s titanic, emotional performances.
The album is a step back toward the more polished sound DMB explored on 2001’s divisive Everyday.
Last night’s American Idol finale was an exercise in excess.
Republican partisans like Rush Limbaugh continue to make the erroneous assumption that Democrats think like them.
Imagine the sidewalk taking credit for the increased health of avid walkers.
Epiphany has a more modern R&B edge as well as a more unified sound than Michele’s 2007 debut.
She wailed with an astonishing clarity throughout songs like “Glass” and “Pearl’s Dream.”
Fantasy Ride is Ciara’s smoothest ride to date.