One can’t help but feel the presence of producer Terrence Malick, a longtime Austin resident and with whom the project was originally conceived.
Jumper is a film crippled from the start.
In an effort to keep things fresh, this latest season has thus far thrown a few noticeable cogs in the wheel, even by Aqua Teen standards.
Sarah Connor Chronicles brings to mind a minefield in its alternation between embarrassment and nuance.
If the film has a dramatic arc, it is one discovered through absolute realism.
In the Oscars of my mind there exists a category for Cutest Performance, and Lior Liebling just took home the golden statuette.
Is its purported idiocy put to a worthwhile use, or is this just another stale retreat of MADtv? Yes and no.
Doc is evidence to the fact that fact-based cinema needn’t be deprived of stylistic worth as a matter of necessity.
The saucers are the most expressive characters in the entire film.
A killer package for a lesser classic in the ’50s sci-fi pantheon.
Though it probably amounts to the equivalent of cinematic racism, I can’t stand fanboys.
Mel Gibson’s first epic exercise in bloodletting remains the most hilariously sexed-up piece of pap to ever take home best picture.
The only thing missing here is the preview for Gibson’s next film: Dead Things I Beat with a Mace and Smear Across My Hairy Catholic Chest.
A Bloody Aria isn’t illuminating, just inflammatory.
It’s always sad to see a film capable of more settling for less.
The film is like an ocean: vast and deep, for sure, but also internally turbulent, its tides ebbing and flowing, constantly lapping against its barely-there borders.
Despite the fact that its style comes off as somewhat schizophrenic, Undoing is a film of remarkably direct emotions.
Badland may have seemed less derivative were it not for the decision to ape its title after a Terrence Malick classic.
The film tells of the flickering light of the world waging a losing battle against the overwhelming darkness.
Grab this ultimate edition of one of the greatest of all horror films, preferably during daylight hours.