The general pointlessness of its supernatural events leaves Exodus feeling like a retread.
Wiseman discusses the shooting the film, Sophia Tolstoy’s novels and letters, and more.
The art is both the focus of Kelly Reichardt’s personal new film but also adjacent to the larger exigencies of life.
Lodge Kerrigan discusses Grasshopper Film’s restoration of Keane, his nontraditional approach to rehearsal, and more.