The show constantly whets the viewer’s appetite without fully satisfying it.
Julia Leigh’s take on the story is a study in detachment and unspoken dissatisfaction.
City of Life and Death’s surface is harrowingly beautiful, but it doesn’t provide enough ground to glide along for over two hours.
Retreat’s wheels are constantly spinning, but they’re not always taking us anywhere.
Andrei Ujică’s documentary manages to be intimate and impersonal at the same time.
Hell’s Kitchen may be junk-food TV, but it’s also a fascinating spectator sport.
Win Win’s best qualities are of the kind that tend to go unnoticed.
Special Treatment paints a vulgar picture of two apparently interwoven professions: sex workers and shrinks.
I’ve watched The Big Lebowski more times than I’ll ever be able to count. This is the best it’s ever looked and sounded.
It’s no Seven Samurai, but The Magnificent Seven is worthy of the flag it waves.