Complacent with road-movie tropes, Vincent Wants to Sea is likeable insofar as it’s familiar.
Agrarian Utopia might make you long for a reconnection with your foods’ cultivation.
The film is so shallow and wooden, its actors less models than mannequins, that it resembles a furniture catalogue.
The film is top-heavy and light-footed, racing its winning idea—that fascism can still be attractive to some, even in modern Germany—past itself.
How to Live Forever’s information-overload is scattershot and prosaic.
The Tindersticks’ mini-tour for their new box set of soundtrack work for Claire Denis films graced Los Angeles Saturday night for a show at the little-known Luckman Fine Arts Complex.
Though set against a civil war in the African country of Chad, A Screaming Man’s loudest moments aren’t screams from battle.
Illegal derives its strength as a feminist picture rather than from its nominal interest in human-rights issues for illegal immigrants.