Tension becomes Caitlin Cronenberg’s film. The release of it, not so much.
It’s a basic Metroidvania, but it brings heart and a unique perspective to its chosen genre.
Snyder’s space epic plays more to his strengths, but it can’t rise above his weaknesses.
Matt Bettinelli-Olpin and Tyler Gillett’s horror comedy is sharp in more ways than one.
Dev Patel’s shaggy revenge flick treads familiar territory with captivating flair.
The film is seemingly afraid to do anything too extreme with the toys at its disposal.
The film is a 105-minute, unchallenged preaching session on the virtues of minstrelsy.
The film reduces the arc of Chisholm’s life to inspirational movie clichés.
At its best, Damsel suggests a dark fantasy riff on Neil Marshall’s The Descent.
The film exhibits the telltale signs of a series struggling to justify its existence.
The game puts a premium on learning how and why the world functions the way it does.
The last look at Square Enix’s sequel before launch is an eye-opener in several ways.
Even as the film revels in violent delights, the dialogue keeps everything grounded in humor.
It’s the balance of comedy and existential drama that truly elevates Thelma.
The film meanders its way toward its goal with a maddening lack of focus and narrative thrust.
There’s considerable emotional truth on display throughout Benjamin Ree’s documentary.
The things that elevate Chiwetel Ejiofor’s film are those that elevated Rob Peace’s life overall.
Like a Dragon goes Hawaiian, and the change of scenery mostly does the series good.
The film only give voice to the politics informing the drama in spare moments of suspense.
The Book of Clarence has an energy that’s largely missing from its influences.