The A/V transfers and extras on this collection will satisfy even the most obsessed Star Trek fan.
Kevin Smith toys with death in Clerks III as a shortcut to bring emotion to a film that otherwise has no meaningful hook.
Johnnie To’s popular capers come to home video with solid transfers and informative extras.
With expert visual precision, the film flows into each new, wild narrative wrinkle as if it were the most logical thing in the world.
Shout!’s 4K UHD release offers a superior video transfer and a rich commentary track by Paul Schrader.
The extras are slim, but the stellar A/V presentation helps this release rise above the chaff.
This mordant but oddly nostalgic film receives a strong release that testifies to the Safdie brothers’ then-nascent talent.
Frownland receives a Criterion edition worthy of its status as one of the boldest American indies of the last 20 years.
Day Shift’s first half is an unexpectedly focused, consistent pleasure, while the second sags under the weight of recycled set pieces.
Michael Mann’s moody crime classic gets a definitive release in the UHD format.
This dreamy, playful, tender ode to having loved and lost instead of never loved at all finally gets the transfer that it deserves.
Michael Cimino’s confused neo-noir Desperate Hours receives a solid but barebones Blu-ray from MVD.
Criterion offers a sumptuous release of Stanley Kwan’s dense, masterful melodrama.
The Archers’ last great collaborative work gets a stunning and long-overdue high-definition upgrade from the Criterion Collection.
David Lean’s gorgeous, aching romance receives a Blu-ray release worthy of its immaculate Technicolor splendor.
Doug Liman’s sci-fi action thriller remains one of the most enjoyable American blockbusters of the previous decade.
The film proves again that the modern-day veneration of Jane Austen as the patron saint of the rom-com is also an act of simplification.
Marco Bellocchio uses his film, a delicate mix of biography and autobiography, as the catalyst for long-delayed therapy.
Across Taika Waititi’s Thor: Love and Thunder, a war against the gods feels like an afterthought to a bad rom-com.
Though the film is initially hamstrung by a clash of creative visions, its class-consciousness is a welcome twist.