A solid box-set treatment for the Merchant of Menace.
The conundrum at the core of My Kid Could Paint That might have pleased Salvador Dalí.
This trim collection fascinatingly maps out the progression of the vixens at the heart of noir.
Finally a minor work despite its vast ambitions, the film is best seen as a light foundation.
A competent package that should help overthrow the reductive image of Corman as a mere impresario of schlock.
Oliver Stone’s attack on the excesses of the Me Decade could easily be dubbed Mr. Smith Goes to Wall Street.
Greed may be good, but this anniversary edition of Oliver Stone’s humorless ’80s satire is exceedingly generous with extras.
What so incensed McCarthy?
Josef von Sternberg’s film is a fascinating early cornerstone of both the director’s worldview and the gangster genre.
The rich transfer does justice to the craning and tilting camerawork that are Daves’s trademarks.
A sturdy genre piece, 3:10 to Yuma is not Delmer Daves’s best western, but remains a solid ride up to its climax.
Whether or not this stoner classic is as funny as you remember, this edition is a munchies-included keeper for C&C fans.
The direction shows a loose-limbed, sideways-glancing touch that hits the gags without suffocating them.
Alibi is awkwardly suspended between the gliding camera of silent cinema and the stagnant medium-shot of early talkies.
An alternately arresting and creaky curio for students of the gangster genre.
The characters in John Turturro’s directorial efforts have a yen for treating choleric fits like arias.
Helen Gahagan makes her She Who Must Be Obeyed ice queen a blankly imposing diva.
For collectors of classic pulp, this lavish DVD package can easily be crowned She Who Must Be Owned.
It was just a matter of time before Michael Haneke and Franz Kafka crossed paths.
How cold does Michael Haneke have to be for a punitively faithful Kafka adaptation to qualify as one of his most humane works?