Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD likes your booty, even if you’re not gay.
Will Ferrell is not in a joking mood throughout much of the run-of-the-mill featurettes available in the disc’s extras department.
Primo Levi’s Journey radiates the aloofness of a dry academic lecture.
Self-Medicated has won more accolades than Brokeback Mountain, not a single one for its side-splitting dialogue.
Dedication at least deploys the darling chemistry between Billy Crudup and Mandy Moore to good effect.
The film is a compendium of multifarious genre inflections seemingly intended for friends of Tori.
Nothing has any taste in the Ikea commercial that passes for Norway in Jens Lien’s The Bothersome Man.
The Fuhrer would have loved David and Lisa.
The style of Antonia, like the melodramas that simmer at its center, is neither smutty nor glorifying, sensitively keyed to the struggles of its working-class characters.
Another spastic doodle by Takashi Miike, the film is essentially a more kid-friendly—though less pro-family—strain of Visitor Q.
We should probably be thankful there isn’t a scene in the movie where Munro gets a hold of Gooding through a glory hole.
One of the least understood movie monsters is the pronoun.
A cool DIY commentary about our obsession with technology, given a very considerate DVD treatment by the boys at Benten Films.
A fierce little spooker with screwy notions of how to salve a wounded relationship.
In the Valley of Elah is so obviously plotted it could have been scripted by the inflatable autopilot from Airplane!
The film reminds us of a seemingly distant time when the United States was not so alienated from the rest of the world.
Crossing the Line is compromised by questionable aesthetic tactics and trite psychoanalysis of James Joseph Dresnok.
We’re a long way from the moral ambiguity that colors the poignant parent-child relations and street violence of Los Olvidados.
Inland Empire is another excuse for Lynch heads not to leave their house.
The film is a lunatic paroxysm of stylistic excess, peripheral ideas, and disconnected scenes.