Review: Stay the Same Never Change is catnip for devotees of Laura Mulvey and art installations.
The corporate sheen of the film belies its sincere, casually fixated attention on the quotidian habits of his characters.
Sally Hawkins and Eddie Marsen’s performances still make this DVD worth every penny, don’t they?
From “the studio that brought you the Academy Award-winning Life Is Beautiful” comes another Holocaust movie that you’re sure to love!
This is a complete list of our predicted winners at the 2009 Academy Awards.
Because it pushes that button. Because it makes them feel like sitting on trains. Because you know Sharon Stone texted Dev Patel: U R A Q T.
Anyone who tells you otherwise doesn’t know Oscar or their Prada from their Pucci.
Writing about what Eric calls the “most boringest” Oscar categories has become more boringer given the inevitability of a Slumdog Millionaire sweep on Sunday
Two films here revolve around maladies affecting the lives of impoverished children in India.
We have to give this one to the veteran whose completely transformative performance enlivens the milquetoastiness of a film.
“Makes me want to dance, laugh, dream and cry at the same time!!!”
Courtney Hunt is now an Oscar nominee thanks to the same AMPAS voters who don’t recoil into the fetal position at the sound of actors reading aloud from a Paul Haggis screenplay.
In case you weren’t paying attention, given Sally Hawkins’s egregious snub and all, Werner Herzog is now an Oscar nominee—and not a moment too soon.
AMPAS finally elects an executive committee to give a second chance to films snubbed during this category’s first round of voting.
One of the great cherry bombs of cinema finally gets the release it deserves, even if its characters are still clamoring for their own.
Luis Buñuel’s mini-masterpiece has smitten Patti Smith and Monty Python. All that’s left now is the cult of Mel Gibson.
Even if people wanted to vote for a critics darling like Josh Brolin (Milk) in this category, to do so might seem akin to failing one of the Joker’s social experiments from The Dark Knight.
Manon on the Asphalt is a whimsical evocation of a woman’s life flashing before her eyes, but On the Line is the real standout here.
Strange that the only time Pixar won here was the same year it lost—and tragically so—in the race for Animated Feature.
Liam Neeson kicks physical and moral ass in Taken.