Comparisons to Steven Spielberg’s The BFG and Spike Jonze’s Where the Wild Things Are will be inevitable.
The film, which celebrates the real-life courage and commitment of the Lovings, stars Joel Edgerton and Ruth Negga.
The caginess of Pierre Morath’s film is a weakness that results from an inherently nostalgic sense of reverie.
The film’s weird reformulation of the Electra complex is nothing short of a sexist fantasy of salvation.
The series remains compelling in its devotion to exposing its characters’ public hang-ups and private strengths.
Below is an exclusive clip from the Camera d’Or winner, accompanied by a recollection of its making from producer Jorge Forero.
The sheer amount of people and incident indifferently presented throughout suggests only an obligation to quota-filling.
No other film at Cannes this year has had quite the same shock of the strange as Olivier Assayas’s latest.
Drake Doremus’s film all comes down, simplistically and repeatedly, to “feelings make us feel alive.”
Anderson dramatically reaffirms most of our beliefs about Radiohead’s music as the prettiest soundtrack in the world to one man’s devotion to his own alienation.
The film is committed to the sort of broad strokes that reduce a great artist’s life to a spectacle of self-pity.
Every short in this anthology series exudes a commercially slick anonymity that effectively flattens any potential excitement.
Criminal’s absence of style, the lack of relish the filmmakers take in the material’s inherent ludicrousness, is a failure of conviction.
More certain is that, no matter how much of the familiar the film will recycle, it will make a killing at the box office come December.
Fear the Walking Dead proceeds in its second season as a borderline shrill theater of types.
Swiss Army Man quickly established its cult-movie bona fides at this year’s Sundance, where it won the festival’s directing prize.
The season finale of The Walking Dead builds toward its conclusion with self-consciously melodramatic flair.
The film’s unbelievably precise choreography of action seeks to tap into a universal feeling of powerlessness.
The episode is notable for images that are lucidly expressive of people’s sensory apprehension of their world.
The episode primarily focuses on two separate runs for supply—storylines that exist to create more forks in the narrative road toward the mysterious Negan.