The film is filled with good-on-paper moments that build up and slowly tighten like a knot but usually end in a whimper.
Project Runway is all pleasure and no guilt.
The film dissects the intersection of two men’s lives in the aftermath of wartime and sectarian conflict.
Thoroughly rehashed and oddly misanthropic, The Goods, frankly, doesn’t deliver the goods.
Smile ‘Til It Hurtsis a nice trip down memory lane, but the tunes are nothing to sing about.
The only surprise to this by-the-numbers action thriller is that it didn’t go straight to video-and that it doesn’t star Jon Voight.
Eileen Yaghoobian’s film provides a rare glimpse into the minds of the people behind concert posters.
The further Alan Ball steps away from the vamps, the closer he gets to the beating heart of the human.
NBC has found the diamond in the rough that it’s been searching for.
Coppola discusses what it means to be a personal filmmaker these days in Hollywood.
Showtime hopes its new series, Nurse Jackie, will be the next big thing since Dexter, and it might just be.
The film is a galvanizing tribute to the undeniable muscle behind one singular communal voice.
Slant caught up with del Toro in Beverly Hills to discuss his work with his fellow Mexican filmmakers.
As abstract modes manifest a deluge of unearthly creatures and madness, Dazzle reveals the crack in the walls of humanity.
Jake Goldberger has lassoed a great cast to ham it up in this comical homage to Billy Wilder’s classic noirs.
The film is a studied testament to the splintered state of the gay community.
Armando Iannucci’s debut feature In The Loop carries on the staggering comedic traditions of its source material.
Digesting over 500 hours of footage, Marshall Curry has expertly stitched together a 90-minute triumph in crowd-pleasing, wholesome entertainment.
Alexis Manya Spraic leaves no stone unturned in her exposé of Larry Hillblom.
The film suggests nothing more than an homage to Pretty in Pink or Some Kind of Wonderful.