Lykke Li's sophomore effort nearly earned across-the-board approval from our music staff. [Photo: Atlantic] The 25 Best Albums of 2011

The 25 Best Albums of 2011

by Slant Staff on December 14, 2011   Jump to Comments (21) or Add Your Own


Every year seems like the year of the woman around here. But the ladies truly dominate the upper reaches of our 2011 albums list in a way they haven't ever before: For the first time, our top three albums are all by female artists. Lykke Li's sophomore effort, Wounded Rhymes, helped the Swedish electro-pop siren shift from adorable to adorably scorned, with prickly pop songs to match. Her collection of richly textured odes to love nearly earned across-the-board approval from our music staff, as did PJ Harvey's eighth solo studio effort, Let England Shake. While the rest of the former goddesses of the 1990s alt-rock pantheon have started to limp into middle age, Polly Jean continues to mesmerize with her transformation as a musician, a poet, a woman, and a human being. Stefani Germanotta's Born This Way transcended whatever irksome questions we still have about her authenticity, functioning best as a professional statement of purpose rather than a simple collection of pop singles. And hey, she annoyed the hell out of the hipsters, so she must be doing something right. As for the men, well, they didn't do too shabby either. Bon Iver represents a new kind of commercially minded indie act, managing to find a way to appeal to Grammy voters without completely alienating his core constituency with an album that balances the stripped-down indie ethos with a decidedly '80s pop sheen. In fact, from Bon Iver to Patrick Wolf to Iron & Wine to Lady Gaga, it seems the '80s was the go-to aesthetic era of choice in 2011. Which, perhaps, means we should all get our stoned-washed jeans and plaid flannels ready to go for 2012. Just saying. Sal Cinquemani

[Editor's Note: Check out our 25 Best Singles of 2011.]

Yuck

25. Yuck, Yuck. Yuck may not have the most original sound in rock history, but they have an unrivaled gift for producing addictive ear candy that makes their debut far more gratifying on first listen—and far more fun to sing along to on the 20th—than anything in the Pavement or Dinosaur Jr. catalogues. Whether it's the harmonies on songs like "Georgia," the blistering guitar solos that pop out of nearly every track, or the dramatic surge of the album's majestic finale, "Rubber," everything about Yuck is engineered for pleasure. It's a triumph of scrappy melodicism, fulfilling the latent pop potential of lo-fi rock with track after track of tuneful thunder. Matthew Cole

Park IV

24. Fred Falke, Part IV. So what if you only have one trick, so long as you do it well. Whether he's remixing others, sampling for himself, or building grooves from the ground up, French trash-house genius Fred Falke leaves his unmistakable mark on everything he touches: crushed pulsations, EQ compression ramped up to insane levels, Green Giant basslines. Though technically a compilation enhanced with a few new tracks, the Jean-Michel-Jarre-drops-with-Daft-Punk-while-watching-Blade Runner vibe of Part IV still feels incredibly new. Or really old. Or both. Eric Henderson

Inclusions

23. Ben Sollee, Inclusions. He may take advantage of the gimmick of being the best cellist in pop up to a point (bless his heart, he even carted his cello around on a bike tour for much of the year), but it's to Ben Sollee's credit that he doesn't rest on the novelty of his chosen instrument to sell Inclusions. His classical training has given him some unimpeachable technical chops, sure, but Sollee's intuitive pop smarts make him a standout among 2011's host of sensitive (read: boring) troubadours. Instead, it's his ear for ingratiating pop melodies, his impossibly warm, lithe tenor, and his insightful, empathetic songwriting that make Inclusions one of the year's strongest and most distinctive pop albums. Jonathan Keefe

Ceremonials

22. Florence and the Machine, Ceremonials. I wasn't always on board with Florence Welch and her machine—that is, her voice. It's big, for sure, but also flawed. But that hasn't stopped Adele, and it wasn't long before I was drawn into the carefully crafted anthems of Flo's sophomore effort, Ceremonials, which was produced by Paul Epworth, who, notably, helmed Adele's "Rolling in the Deep." The album is steeped in melodrama, with pump organs, choirs, and strings expertly deployed as pure pomp on already rousing singles like "Shake It Out" and "No Light, No Light." But Welch is perfectly capable of doing delicate too, as evidenced by the gorgeously textured lead single "What the Water Gave Me" and "Never Let Me Go," while tracks like "Lover to Lover" are reminiscent of the Eurythmics at their most soulful. SC

Shapeshifting

21. Young Galaxy, Shapeshifting. Songs of love and devotion, people as conduits, like planets, our obsession with thoughts of oblivion, where light and dark, fog and canyons, are dominant motifs. The members of Young Galaxy are a sincere lot of mystics, hopeless romantics whose incessant celestial musings, of emotions intertwining not unlike cosmic systems, can be choking, but each of Shapeshifting's tracks, from the thunderous and effervescent to the misty-eyed and forlorn, stakes out its own very unique place in the sky—and, ultimately, our hearts. They earned their place here almost solely for turning "peripheral" into the source of one of the most unexpectedly catchy hooks of the year. Ed Gonzalez

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Comments

molcese on December 14, 2011, 03:12 PM

Glad to see Kaputt on the list. Fantastic album.

alexbwolf on December 14, 2011, 03:43 PM

interesting top 3. I like them all, but each contains a few clunkers IMO, especially "Let England Shake." My number 1 is tune-yards.

alexbwolf on December 14, 2011, 03:45 PM

also, too bad for pistol annies, but maybe they're too slight to be memorable.

Mike321 on December 14, 2011, 08:09 PM

I was certain that #1 and #3 would be in reverse order. Dang it. The noses of the editors at Slant mag aren't as far up Gaga's ass as I had originally thought.

I'll save everyone the trouble and say it myself: "Mike, you don't have to agree with them". Or better yet, "If you don't agree with their opinion, then don't read it." Still, though. I had a lot of respect for Sal and Eric... that is, until they churned out this piling sack of dog crap.

If no one else can see that the bank account of the editors here are being fattened by Gaga's publicist, then slap my ass and call me Sally. Heck, they even used Gaga's picture as the thumbnail for both this and the singles list.

Matthew Connolly on December 14, 2011, 09:09 PM

Mike321: Consider your ass slapped, Sally.

Groundlessly accusing Slant of trading favorable coverage for cash is lazy at best, defamatory at worst.

Your opinions on the substance of the list are as welcome as anyone's. But don't bring down the level of conversation with this nonsense.

Grotesk on December 15, 2011, 12:08 AM

Mike, get over it—just because you don't like Gaga because you can't get past the fact that she's such a popular, mainstream artist who sells pop records doesn't mean her music isn't actually very good.

Thanks, Matthew, for putting his ass in place.

EJ on December 15, 2011, 12:25 AM

While Kate Bush's "50 Words For Snow" is my favorite of the year, I'm okay with PJ Harvey taking the number one spot here. Both are flawless concept albums and I'd venture to say a masterpiece for both artists.

alexbwolf on December 15, 2011, 06:25 AM

haha. I'm pretty sure Gaga's team could afford a number 1 spot anyway

BloodyChapel on December 15, 2011, 09:59 AM

Really well deserved on Gaga . Her new album is so massive . Nothing quite like it in years . I mean the sounds are so big . Such variety . She is an artistic genius . Well deserved . Mike hating on Gaga for being pop is so 2008 , get over it

Joris on December 16, 2011, 04:29 AM

Why isn't 'The SMiLE sessions' on here? Didn't you find it eligible?

OK on December 16, 2011, 06:09 PM

Again, whilst I like 'Born This Way' - (Bad Kids/Government Hooker/Judas/Scheiße/Black Jesus) - for me, NO.3 is too high...

Great to see Watch The Throne - although its patchy it's the strongest mainstream Hip Hop LP of 2011 - that Drake LP isn't Hip Hop - I don't care and was rated way too high.

Unless your f**king someone or high - The Weeknd is mostly unlistenable and is again placed too high -

GREAT to see Katy B in the Top Ten - even tho the LP was OK only. I like Lykke Li especially 'Love Out Of Lust'

Canadian group NEW LOOK should have been in there!

mietzelfeld on December 16, 2011, 06:56 PM

lady gaga doesn't have to pay people to like her — unfortunately. she's already done a pretty brilliant job convincing queer folks that what we really need right now is another obnoxious rich white lady to "speak for" us. she's not buying us, we're buying her — because she's managed to tap into the neoliberal assimilationist bullshit rhetoric which has finally trickled down from the upper echelons of the white gay male elite into the political mainstream. you go girl!

p.s. i would have expected the slant contributors, who are usually pretty sensitive to issues of language, to avoid using "tranny," a word with a pretty violent connotation both historically and in the present.

HerMadgesty on December 16, 2011, 07:17 PM

i'm sorry but I'm so incredibly EXHAUSTED by this anti-Gaga rhetoric. What is it about this woman (and others like her, like Madonna) that inspires such vitriol from, notably, MEN. Reading these reader comments - not just here, but on sites across the internet - over the last year or two has gone from amusing to bewildering to downright disturbing. Why is it such a shock that gay men like a strong woman who writes catchy dance songs and stands up for equal rights for minorities? More importantly, what's so dangerous about that? I know those of you who fancy yourselves part of the gay/indie intelligensia like to think there's some kind of brainwashing of the gay community going on, but the fact is that even if there were notable gay men who were selling millions of records and standing up for trannies - yes, trannies, and I know plenty of people who use that term affectionately without their P.C. alarms buzzing (and since when has Slant been sensitive to language - they throw words like "fag" and "bitch" around plenty) - the gays would still love their strong, pop divas. And the fact that there are a handful of critics out there who are brave enough to acknowledge that BTW is a damn good pop album is refreshing. The fact that 90% of the discussion here is about 4% of this list says more about YOU than the writers on this site. Or maybe it's just confirmation why this woman is on the list in the first place. Because she's making people think!!

Grotesk on December 16, 2011, 11:41 PM

HerMadgesty...I couldn't have said it better. Really. Bravo.

adamant_cocoon on December 17, 2011, 01:27 AM

Pistol Annies missing the aggregate list? Hmmm...well, there's On A Mission, whokill, Born This Way and Wounded Rhymes on top, so it's still female power all the way. And though Frank Ocean's Nostalgia/Ultra is a "mixtape", it neatly trumps House of Balloons in terms of durability. It's the best R&B release in years.

adamant_cocoon on December 17, 2011, 01:31 AM

Also love Das Racist and St. Vincent.

cab2k1ad on December 17, 2011, 03:38 PM

Hello, guys. It would be wonderful if you could post the list from each of the editors that voted just as you did with the movies top-25. With such a diverse final list it'd be interesting to discover which albums were pick by the staff individually.

HeyThereFellas on December 18, 2011, 03:03 AM

"Every year seems like the year of the woman around here."

Really?

Then where are the women who work for Slant?

Before I get jumped, I appreciate that you seem to have fairly lefty politics, a queer critical perspective, etc. And often the blog has a feminist perspective. But I still wish there were more women writing for you.

Clarence Ewing on December 18, 2011, 05:03 PM

"i'm sorry but I'm so incredibly EXHAUSTED by this anti-Gaga rhetoric."

So we should all either shut up or jump on the bandwagon? Maybe you should grow a pair (if I may use a male-centric phrase) and deal with the fact there are a lot of people out there who just don't like her or her music. As a 30+ year pop music fan, I find her songs derivative and inconsequential, spectacle posing as art. Generations of female pop singers have done much more with less fuss.

JRHG1 on December 20, 2011, 12:32 AM

Stefani Gaga's album isn't faring all that great overall on year-end critics' lists (it's outside the top 50 at Acclaimed Music, which compiles multi-critic lists from around the world). PJ Harvey's album, on the other hand, is slaying the year-end lists.

jaknight2 on December 21, 2011, 06:06 PM

@mietzelfeld - You might be correct, except Gaga herself is bisexual. I remember before "The Fame" was even out, and therefore way before "Just Dance" became her first pop hit, she was making that known in interviews. So, even if you see her as an "obnoxious rich white lady," she is also bisexual, and is therefore part of "us" (LGBTQ community) in that regard. When she sings "no matter gay straight or bi lesbian transgendered life" in "Born This Way," she is part of that group she is speaking of. That is why so many of us respond to her; it's not because we feel we need another rich white lady to "guide" us, but because this rich white lady is one of us, and makes damn good music to boot.

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