Lumiere gets his Maurice Chevalier on in Beauty and the Beast. [Photo: Walt Disney Pictures] Beauty and the Beast 3D

Beauty and the Beast 3D

by Jaime N. Christley on January 11, 2012   Jump to Comments (11) or Add Your Own


Better remembered than seen, Beauty and the Beast has been treated unkindly not just by the years that have passed since it was released to enormous acclaim in 1991 (so enormous it became the first animated film to be nominated for the Best Picture Oscar), but by a faddish 3D conversion; thus it stands a disaster in four dimensions, rather than the three we've grown accustomed to in the wake of Avatar. In terms of resurrecting Walt Disney Animation Studios, which had been in a slump since the 1960s, and had only just began to show signs of life (with the success of Oliver & Company and, on a different cloud entirely, The Little Mermaid), Beauty and the Beast obviously serves as some kind of keystone. In retrospect, however, it was so thoroughly outclassed in subsequent years not only by Pixar's masterpiece machine, but by traditional Disney features like Aladdin and The Lion King, that the heaping of praise and accolades upon its head now seems a little embarrassing, a premature ejaculation of sorts, as if Hollywood and the media had crossed a desert so arid, any bucket of dirty water might have looked like champagne.

The story isn't much more complicated than the 18th-century stock fable on which it's based, but somehow what makes it a post-Bluth/pre-Shrek Disney confection has everything to do with reducing every aspect of its source material to the level a kindergartener would understand; remember, this was before 1992, when Robin Williams's performance as the genie in Aladdin made rapid-fire, adult-safe comic relief mandatory for all professional-grade kiddie films out of Hollywood. Whenever we see the dopey, mega-toothy Lefou, the hulking, self-involved monstrosity Gaston, or Belle's crackpot inventor father, you can practically hear the germ of something like Titey, the 1998 "Saturday TV Funhouse" spoof of Disney (and Bluth) animation and Titanic, form in the brains of smart-aleck viewers the world over.

If the film has any redemptive value, it comes in the form of a trio of showbiz pros who provide the voices of three anthropomorphized household appliances: Angela Lansbury, whose Broadway career continues to flourish, delivers the film's title tune, gooey treacle that it is, like nobody's business; David Ogden Stiers is the comical timepiece Cogsworth; and as the candlestick Lumiere, Jerry Orbach, one of the stage and screen's most brilliant and underrated performers, channels Maurice Chevalier with such perfect precision you'd never guess his iconic role was playing a grizzled cop for 13 years on Law & Order.

Save for some artful backdrops, the furtively CGI versions of which are all the more impressive given how primitive those software tools were in 1991, Beauty and the Beast looks surprisingly ghastly. Partly that's the fault of the 3D retrofit and its over-clear, high-definition presentation. It's not likely you'll be able to see this in 35mm, but if you have to see it at all, you really need the film projector's blur to give the hand-drawn cells some sort of alibi; think of the way makeup artists had to throw out their whole kit when sportscasters and anchor people were being broadcast in HD. Mostly, though, it's just strikingly lousy work in almost every frame, to the point where you realize that, at that point in its timeline, Disney's dark days weren't yet fully in the rear-view mirror.


  • Director(s): Gary Trousdale, Kirk Wise
  • Screenplay: Linda Woolverton, Roger Allers, Brenda Chapman, Burny Mattinson, Brian Pimental, Joe Ranft, Kelly Asbury, Chris Sanders, Kevin Harkey, Bruce Woodside, Tom Ellery, Robert Lence
  • Cast: Paige O'Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Bradley Pierce, Rex Everhart, Jesse Corti
  • Distributor: Walt Disney Pictures
  • Runtime: 84 min.
  • Rating: G
  • Year: 1991



Comments

seldon on January 11, 2012, 03:25 PM

Feelings on the film aside (holds up perfectly as the best of the renaissance for me, far better than the overdone Lion King and juvenile Aladdin), I must take significant issue with the final paragraph here. I have not (and have no intention of) seen this in 3D, so I don't doubt the author's feelings on this release and its appearance. What I have seen, however, is the film in both IMAX and on Blu-ray. The Blu-ray, in particular, is stunning. The animation comes off as crisp and fresh, even more beautiful than it was on DVD or (as many of us have seen the film) on VHS. To call it lousy is laughable to me. I simply cannot agree given the quality of the animation and the Blu-ray presentation. I also think a review of screen-caps from that release would back this up. The problem is not, then, some sloppy problem with the film itself but this particular release.

Jaime N. Christley on January 11, 2012, 10:16 PM

Hi Seldon - thanks for your comments. Going to have to agree to disagree with you on the quality of the film-as-film (as a remembered favorite of my very own, it was actually pretty shocking that I almost hated it), but in the interest of due diligence I did a spot check of our family's Blu-ray (which was strangely still in its shrink wrap) before typing up this review, and I felt the animation was just as misshapen as when I watched it at the Directors Guild Theater in Manhattan, which was where it screened for the press. Maybe I'll take you up on some kind of visual presentation someday, it might make a good video essay. Otherwise we're just kind of going back and forth.

I think it's also important to separate what's actually good - the backgrounds - from what isn't - the characters and character animation. The backgrounds are lovingly detailed, and the CGI backdrops work pretty well considering CGI was just teething at that point. All of this I mentioned in my review.

JRHG1 on January 12, 2012, 12:02 PM

I have no desire to see this in 3D, but I wholly disagree that it was "outclassed" by movies that followed. The first time I saw this movie, I was very moved and thought it was beautiful- something that didn't happen with follow-up, Aladdin. And, I watched it on Bly-Ray recently and was similarly impressed. For me, it's a superior movie to Aladdin and not far off of the The Lion King.

Jaime N. Christley on January 13, 2012, 10:20 AM

I've got two words for you guys. LILO & STITCH. There's a real latter-day Disney Animation feature. Warmth, humor, intelligence - and *craftsmanship*.

No-Personality on January 13, 2012, 10:23 PM

I've yet to see that one but I'm more than willing to take your word on it. Since, I think, Beauty and the Beast just blows. "Sorry," Rob.

bandwagon on January 14, 2012, 02:14 AM

I find this "message" hypocritical and the characters awfully sketchy.

I totally agree with Jaime that one has to separate what's good in a film and what's not (even though I hate Alladin, even more)

majician on January 20, 2012, 06:56 AM

As a film reviwer, whether or not a film is "outclassed" by future generations should be a non-factor when you review the film. Isn't the point to review the film as it is, rather than how it stacks up against other films?

"yeah well that film was good but then I saw the Lion King and that film was WAY BETTER, so now this movie sucks in my opinion" would be a good summation of your first paragraph.

Is that how you review all the movies you see? "Well that was a good drama, not as good as [enter drama] or [enter drama] but better than [enter drama]."

Jaime N. Christley on January 20, 2012, 06:31 PM

majician, don't take this the wrong way, but that sounds more than a little presumptuous. I don't run by construction sites and second-guess the welders. Believe it or not, film critics - and I realize this runs contrary to every single movie review comment thread in existence - actually know more about film criticism than civilians. I actually do know what I'm doing.

I enjoy free reign to exercise my judgment with regards to what I can and can't discuss when it comes to a film. Comparison/contrast with other works is fair game. Disney films, which are highly commercialized, shrewdly-crafted baubles, especially deserve to be compared/contrasted to like films in an industrial context. Disney films especially should be compared to other Disney films, and similar animated/children's films, just as one compares iPods to iPods and iPads to Galaxy tablets, etc.

"Is that how you review all the movies you see? "Well that was a good drama, not as good as [enter drama] or [enter drama] but better than [enter drama]."

Probably not the entire review that I wrote, wouldn't you agree? Let's not get carried away.

Rob Humanick on January 21, 2012, 01:01 PM

Much as I can understand how and why someone would dislike this film (as about 50% of the people writing here seem to), I can only shudder when I read it being disfavorably compared to the likes of Aladdin and The Lion King (Pixar releases I might hold higher constitute about 58% of that studio's output, so no quibble there).

Later productions might have been "classier" - and indeed, one of the thrills I experienced watching the film theatrically once again (overdone and underwhelming 3D notwithstanding) was the comparatively primitive, and I say expressive, nature of its animation - but with extra class I felt they also became naive, lightweight (if not weightless), and frequently asinine (I have to give The Hunchback of Notre Dame another go, but otherwise the only subsequent Disney toons (not counting Pixar) I've liked are The Emperor's New Groove and Lilo & Stitch, one of their very best).

Of course, I'm probably attached to this opinion for life. I saw it seven times when it came out, when I was six.

majician on January 25, 2012, 07:44 AM

Jaime,

Sorry but comparing and contrasting to other movies because you're a reviewer and that somehow "entitles" you that right is flat wrong. iPods to iPods is one thing, and iPads to Galaxy Tablets is another, but a Film to a Film doesn't work. You're being way too general. A movie, is one experience and another movie is another experience. Toy Story 3 made me cry, Toy Story (the original) did not, yet I find the first one to be equally good, for other reasons.

I'm sure you know all the variables to a movie (characters, actors, music, design, etc etc) so you know how different they can be from movie to movie (even from disney movie to movie).

Perhaps it's considered "fair game" in the critical world but to everyone else you're just being lazy.

Jaime N. Christley on February 8, 2012, 03:11 PM

Majician, so far you have given me loads of opinion but no argument. I actually work hard on every piece that goes public (for Slant or elsewhere). My work goes through a vetting process before it sees the light of day, something that cannot be said for comment boxes.

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