Laxe and López discuss what they took away from grappling with the imminence of death.
The film is more than a reflection on barriers and bridges in the age of screen omnipresence.
The scrappiness that animates Sweeney as an actor finds natural expression through Martin.
James Vanderbilt’s film is in direct conversation with the moment in which it was made.
Jude discusses why cinema being in a state of constant crisis exhilarates him.
‘Hedda’ Review: Nia DaCosta’s Entertaining, If Uneven, Reimagining of Henrik Ibsen’s Play
Hedda is more of a fun exercise in inventive adaptation than a fully-realized work.
The film is a fevered look at a man on the run from his crimes and himself.
‘Anniversary’ Review: Jan Komasa’s Politically Charged Family Drama Strains Credulity
This is an overtly political film that’s hesitant to express its own political views.
These films shocked us by plumbing our deepest primordial terrors.
‘The White House Effect’ Review: A Bracing Look at the Birth of the U.S.’s Climate Change Denial
The documentary is specific and urgent in both its purpose and execution.
‘Little Amélie or the Character of Rain’ Review: An Impressionistic Portrait of Childhood
The mundane and transcendent dance hand in hand in this French animated feature.
‘Regretting You’ Review: You’ll Regret Seeing This Overwrought Colleen Hoover Adaptation
An air of predictability settles over Josh Boone’s dramedy in its very first scene.
‘Hamnet’ Review: Chloé Zhao’s Monotonously Blunt Portrait of Learning to Live with Grief
Zhao’s take on Shakespeare’s family life telegraphs its themes loudly and incessantly.
‘Mistress Dispeller’ Review: Elizabeth Lo’s Wise and Moving Look at China’s Love Industry
The film is sensitively attuned to how people’s feelings are shaped by cultural norms.
Chris Stuckmann’s feature directorial debut arrives packing some major clout.
The film is Ramsay’s most sprawling and sensational canvas to date.
O’Connor discusses how he came to understand America by immersing himself in an era.