The film’s dialogue is knowing and the action sequences are elaborate, but only in ways that advance the shady story toward its hokey denouement.
Uwe Boll tries his hand at political/cultural satire with Postal and comes up with something smelling awfully similar to feces.
We’re a long way from the moral ambiguity that colors the poignant parent-child relations and street violence of Los Olvidados.
Aurora Borealis bites Good Will Hunting and Donald Sutherland feels most of the sting.