Glancing over this year’s Emmy nominations is to marvel again at just how much the television landscape has changed in 20 years.
Life pours out of Treme and, like all good things, the series ends with equal parts rage and love in its bombastic heart.
In its third season, Treme has become so adept at blending character-based drama with its overarching themes.
The show is as much a celebration of New Orleans’s spirit as it is a depiction of the struggle to keep that spirit afloat.
Treme’s deeply humane treatment of a communal tragedy, not a national one, quite simply blows the doors off the place.
Juan José Campanella has a resume most people would kill for.
By the third episode, the show has developed so much character that even simple glances are steeped in meaning.