The curious Mr. West’s folie de grandeur didn’t, as initially widely predicted, blow up in his face.
During the last 20 minutes of Interlude, Sirk goes in for the kill.
Can Eastwood pick ‘em or what?
There’s a deal we make, we Lost fans and appreciators.
The second golden age that the film inhabits is perhaps only apparent in retrospect.
Politically, sexually, and spiritually, Stamp is an icon of the most idealistic side of the ’60s.
Life might very well lack purpose, and it might very well be a struggle, but that doesn’t mean you have to be an asshole about it.
Think about the last time you talked to your mom or your dad or your best friend.
Cox’s heartfelt take on the true-life relationship between Sid Vicious and Nancy Spungen could easily have been just another rock biopic.
My iPod Shuffle is a few years old and, by today’s standards, a relic.
So far this season I’ve been critical of how Tim and Lyla’s relationship has been handled, so it was a relief to see some compelling scenes this week, specifically from Lyla.
The episode is like a primer as to why we came to love all of these characters in the first place.
In Serbis, sex, like everything else, is first and foremost a question of economics.
In so many ways, this latest episode is Lost at its best.
Sentiment dooms Fassbinder’s characters, though they push on as long as they can, even deferring their inevitable ends to proxies.
Tie-ins are the lifeblood of any successful comic franchise and essentially every major blockbuster film.
Even as the Oscar push for Revolutionary Road remains in full swing, Sam Mendes returns to his theater roots with his latest production of The Cherry Orchard.
On The X-Files, the cutting yin to Rob Bowman’s sweeping yang.
Sadly, no matter how hard the Juniper Creek stuff tries, it’s just never going to be as compelling as what’s going on at Henrickson Central.
It took me a while to pinpoint what it was about this episode that rubbed me the wrong way, but I finally did.