There’s a lot of controversy about how closely, if at all, From a Basement on the Hill mirrors Elliott Smith’s intentions for its final form.
Like the music it emulates, Neon Neon is both disposable and surprisingly durable.
There are, in this 158-minute film, a few effects, mainly photographic, that go right.
Like clove cigarettes and emo hoodies, some things just go better with teen angst.
As with almost every Radiohead album, there are moments of brilliance, inventiveness, and surprise.
A decade after its release, OK Computer’s influence can be heard in countless acts on both sides of pond.
One of the best soundtracks of the last decade just got a little bit better.
Glazer’s obsession with the human body is what you get when you mess with us.
The album sits comfortably somewhere in between the computer-generated Kid A and the prog-rock splendor of OK Computer.
Who does Radiohead think they are?