Connect with us

News

Obama the Obstructionist?

Published

on

Obama the Obstructionist?

The Republican Party takes its role as the opposition with the same seriousness a white, gun-toting suburbanite protects his or her colonial home. Two weeks ago, a certain talk radio host criticized President Obama for not responding boisterously enough about the Somali pirate hostage crisis. Before launching into an incomprehensible—and incomprehensibly long and sarcastic—monologue about how the pirates couldn’t be Muslim because Obama claims we’re not at war with Islam (“I suppose they could be a rogue band—a very, very, very tiny, small infinitesimal minority of Islam. But we’re not at war with Islam. The president said so. So the Somali pirates—I mean, the story is that they’re Muslims, but that can’t be, because we’re not at war with them. My guess is it’s the Orthodox Jews. Orthodox Jews committing piracy in the open seas off Somalia over there, there’s no question in my mind”), Rush Limbaugh claimed that the reason there has been a resurgence of piracy of late is “because idiots like Hillary Clinton and Barack Obama think pirates and terrorists—and this is terrorism—are criminals, not enemies.”

Never mind that the recent piracy scourge began during the last administration, but if Limbaugh believes that piracy is terrorism and that we’re indeed at war with Islam, then why, after Obama approved an operation in which U.S. snipers shot down three of the hijackers and thusly rescued the U.S. hostage, did he say this: “You know what we have learned about the Somali pirates, the merchant marine organizers that were wiped out at the order of Barack Obama, you know what we learned about them? They were teenagers. The Somali pirates, the merchant marine organizers who took a U.S. merchant captain hostage for five days were inexperienced youths…Now, just imagine the hue and cry had a Republican president ordered the shooting of black teenagers on the high seas”? Yes, the bloated face of the Fringe Party is also, fittingly, the bloated face of hypocrisy.

Subtler, though no less duplicitous, is the daily assessments of Bill O’Reilly, a man who bases the quality of his network’s coverage on the number of viewers who saw it. On The O’Reilly Factor last night, Fox News White House Correspondent Jim Angle chided Obama for deeming waterboarding “too harsh,” but ordering air strikes on terrorists “in their homes, presumably with their wives and children.” When asked by O’Reilly about “some” people—read: “us”—who think Obama is “making a big deal out of [waterboarding],” Angle said: “One could argue that waterboarding isn’t nearly as bad as being blown up.” He actually said that. Out loud. I suppose he deserves some credit for his transparent attempt to dress it up so that he could later claim that he wasn’t the “one” who was arguing that insidious point.

Partisan spin is expected from these political hacks. But if there was ever any question about who was running the country for the last eight years, the recent flood of criticism about the fledgling Obama administration from senior members of the Bush team, and the relative silence of Bush himself, should leave no doubt. “You should not exaggerate and lie like this when you are the vice president of the United States,” Karl Rove said without a hint of irony in regard to an anecdote recalled by Vice President Joe Biden. (Rove’s hypocrisy deserves a piece in and of itself—and it’s already been written.)

And speaking of vice presidential liars, Dick Cheney has at least exhibited the virtue of consistency by claiming that Obama is putting the country at risk by, among other things, halting the previous administration’s torture program. For that, Obama has been praised by both the left and the right. But his disinterest in prosecuting the C.I.A. operatives who committed the crime of torture and those in the Bush administration who sanctioned those acts, though consistent, has angered many of his supporters. Unlike Republicans, who acquiesced to George W. Bush’s every war-mongering, Constitution-dismantling, executive power-grabbing whim, it seems that Democrats are unwilling to sit idly by and blindly support a president who seeks to obstruct justice in the name of politics.

Starting a witch hunt at the C.I.A. could result in the kind of mass exodus of seasoned intelligence officers that weakened the agency during the Clinton administration. Obama understandably doesn’t want to repeat the mistakes of his Democratic predecessor, and the announcement last week that his administration has no intention of seeking prosecutions of C.I.A. employees who carried out policies ordered by Bush and Cheney is further evidence of that. But Obama’s disinterest in pursuing justice extends to even operatives who went beyond what was authorized in the recently released memos regarding those “aggressive interrogation techniques,” the top Bush officials who composed those memos, and presumably Bush and Cheney themselves.

Over the weekend, Obama’s Chief of Staff Rahm Emanuel told ABC that the president believes that those who devised the torture policies should not be prosecuted. This kind of stance is not simply disappointing or embarrassing, it’s downright lawless. The message continues to be that the United States can do whatever it wants, that we can ignore international laws and treaties. More specifically, it signals that the country’s politicos and their minions will not be upheld to the same standards of justice as ordinary citizens. As lefty Glenn Greenwald so nonpartisan-ly put it: “Perhaps it’s time to begin a FREE BERNIE MADOFF campaign based on Obama’s oh-so-moving decree that this is a time for reflection, not retribution, and that we must look forward, not backwards.”

This “look forward, not backward” mantra has become as disturbingly pervasive as any of Bush’s asinine slogans, with Emanuel, increasingly inept White House Press Secretary Robert Gibbs, and a chorus of others in Washington employing it ad nauseam. But before I join the ranks of those on the left crying foul, I’d like to examine, briefly, the possibility that Obama is attempting the ultimate have-his-cake-and-eat-it-too political move. In the current issue of Newsweek, Michael Isikoff and Evan Thomas cite sources inside the Department of Justice who suggest that Obama’s Attorney General, Eric Holder, is still considering investigating the issue of torture, while Democrats in Congress, specifically head of the Senate Judiciary Committee Patrick Leahy, still want a commission to examine the abuses. As president, Obama has an obligation to focus on the country’s most pressing issues—the economy, health care, those pesky wars—and to keep the intelligence community on his side, and that’s exactly what he’s doing. Presidents aren’t prosecutors, and, unless you’re George W. Bush, the executive office doesn’t run the DOJ. That means it’s your move, Mr. Holder.

This blog entry was originally published on Slant Magazine on the date above.

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Advertisement
Comments

Music

Billie Eilish Drops Lush James Bond Theme Song “No Time to Die”

The lush, darkly cinematic track feature an orchestral arrangement courtesy of Hans Zimmer and guitar from Johnny Marr.

Published

on

Billie Eilish, No Time to Die
Photo: Interscope Records

On the heels of her historic Grammy wins, singer-songwriter Billie Eilish has unveiled “No Time to Die,” the theme song from the upcoming James Bond film of the same name. The song was produced by her brother and frequent collaborator, Finneas, and veteran knob-twirler Stephen Lipson. The lush, darkly cinematic track falls in line with past 007 themes, with an orchestral arrangement courtesy of Hans Zimmer and Matt Dunkley, and featuring guitar from Johnny Marr of the Smiths.

The 18-year-old Eilish, the youngest person and first woman to win the four main Grammy categories in the same year, is now the youngest artist to both write and record a Bond theme. She will perform the song live for the first time at The Brit Awards on February 18.

No Time to Die hits U.S. theaters on April 10 through MGM/United Artists Releasing.

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Film

David Lowery’s The Green Knight, Starring Dev Patel, Gets Teaser Trailer

Today, A24 dropped the trailer for haunting mustache enthusiast David Lowery’s latest.

Published

on

The Green Knight
Photo: A24

Jack of all trades and haunting mustache enthusiast David Lowery is currently in pre-production on the latest live-action adaptation of Peter Pan for Disney, which is bound to be full steam ahead now that The Green Knight is almost in the can. Today, A24 debuted the moody teaser trailer for the film, which stars Dev Patel as Sir Gawain on a quest to defeat the eponymous “tester of men.” Scored by Lowery’s longtime collaborator Daniel Hart, The Green Knight appears to have been shot and edited in the same minimalist mode of the filmmaker’s prior features, which include Ain’t Them Bodies Saints and A Ghost Story. Though it’s not being billed as a horror film, it’s very easy to see from the one-and-a-half-minute clip how Lowery’s latest is of a piece with so many A24 horror films before it.

According to A24’s official description of the film:

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves, and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger. From visionary filmmaker David Lowery comes a fresh and bold spin on a classic tale from the knights of the round table.

The Green Knight is written, directed, and edited by Lowery and also stars Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Kate Dickie, and Barry Keoghan.

See the trailer below:

A24 will release The Green Knight this summer.

The Green Knight

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Film

Wes Anderson’s The French Dispatch, a Tribute to Journalists, Gets First Trailer

Anderson’s latest is described as a “love letter to journalists.”

Published

on

The French Dispatch
Photo: Searchlight Pictures

Today, Searchlight Pictures debuted the trailer for The French Dispatch, Wes Anderson’s first feature since 2018’s Isle of Dogs and first live-action film since 2014’s The Grand Budapest Hotel. According to its official description, The French Dispatch “brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city.” The city is Ennui-sur-Blasé and the magazine is run by Arthur Howitzer Jr. (Bill Murray), an American journalist based in France. The trailer, just a hair over two minutes, quickly establishes the workaday (and detail-rich) world of a magazine, a travelogue struggling with just how much politics to bring to its pages during a time of strife.

A French Dispatch is written and directed by Anderson, whose described the film as a “love letter to journalists,” and stars Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray, and Owen Wilson. See the trailer below:

Searchlight Pictures will release The French Dispatch on July 24.

The French Dispatch

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Awards

Oscar 2020: Complete Winners List

Parasite earned four awards, edging out 1917 for best picture.

Published

on

Parasite
Photo: Neon

Across the last month, we contemplated various pendulum swings, drew links between the Oscar voting process and the Iowa caucuses, and generally mulled over the academy’s ongoing existential crisis, only to come the conclusion that the more things change, the more they stay the same. Or that’s what we thought prior to the Academy Awards ceremony. In a welcome surprise, Parasite took the top prize, becoming the first international title to do so in the history of the awards show, while Bong Joon-ho became the first director since Roman Polanski to win the directing Oscar after failing to win the DGA prize. (Parasite is also the first Palme d’Or winner since Marty way back in 1955 to claim best picture.)

In the era of the preferential ballot, one stat or another has been thrown out the window each year, but after last night, it feels like every last one was shattered to bits, and that the triumph of Bong film’s could signal a shift in the industry when it comes to not just what sorts of stories can be told. Indeed, Parasite’s victory is redolent of Moonlight’s no less historic one a few years ago, giving us hope that the very definition of an “Oscar movie” has been forever rewritten. Predicting the Oscars has become a little bit harder now.

Here’s the full list of winners.

Picture
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
1917
Once Upon a Time…in Hollywood
Parasite (WINNER)

Director
Martin Scorsese, The Irishman
Todd Phillips, Joker
Sam Mendes, 1917
Quentin Tarantino, Once Upon a Time…in Hollywood
Bong Joon-ho, Parasite (WINNER)

Actor
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time…in Hollywood
Adam Driver, Marriage Story
Joaquin Phoenix, Joker (WINNER)
Jonathan Pryce, The Two Popes

Actress
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy (WINNER)

Actor in a Supporting Role
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time…in Hollywood (WINNER)

Actress in a Supporting Role
Kathy Bates, Richard Jewell
Laura Dern, Marriage Story (WINNER)
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell

Adapted Screenplay
The Irishman, Steven Zaillian
Jojo Rabbit, Taika Waititi (WINNER)
Joker, Todd Phillips and Scott Silver
Little Women, Greta Gerwig
The Two Popes, Anthony McCarten

Original Screenplay
Knives Out, Rian Johnson
Marriage Story, Noah Baumbach
1917, Sam Mendes and Krysty Wilson-Cairns
Once Upon a Time…in Hollywood, Quentin Tarantino
Parasite, Bong Joon-ho and Han Jin-won (WINNER)

International Feature Film
Corpus Christi (Poland)
Honeyland (North Macedonia)
Les Misérables (France)
Pain and Glory (Spain)
Parasite (South Korea) (WINNER)

Documentary Feature
American Factory, Steven Bognar, Julia Reichert, and Jeff Reichert
The Cave, Feras Fayyad, Kirstine Barfod, and Sigrid Dyekjær
The Edge of Democracy, Petra Costa, Joanna Natasegara, Shane Boris, and Tiago Pavan
For Sama, Waad al-Kateab and Edward Watts
Honeyland, Ljubo Stefanov, Tamara Kotevska, and Atanas Georgiev

Animated Feature
How to Train Your Dragon: The Hidden World, Dean DeBlois, Bradford Lewis, and Bonnie Arnold
I Lost My Body, Jérémy Clapin and Marc du Pontavice
Klaus, Sergio Pablos, Jinko Gotoh, and Marisa Román
Missing Link, Chris Butler, Arianne Sutner, and Travis Knight
Toy Story 4, Josh Cooley, Mark Nielsen, and Jonas Rivera (WINNER)

Film Editing
Ford v Ferrari, Michael McCusker and Andrew Buckland (WINNER)
The Irishman, Thelma Schoonmaker
Jojo Rabbit, Tom Eagles
Joker, Jeff Groth
Parasite, Yang Jinmo

Cinematography
The Irishman, Rodrigo Prieto
Joker, Lawrence Sher
The Lighthouse, Jarin Blaschke
1917, Roger Deakins (WINNER)
Once Upon a Time…in Hollywood, Robert Richardson

Production Design
The Irishman, Bob Shaw and Regina Graves
Jojo Rabbit, Ra Vincent and Nora Sopková
1917, Dennis Gassner and Lee Sandales
Once Upon a Time…in Hollywood, Barbara Ling and Nancy Haigh (WINNER)
Parasite, Lee Ha-jun and Cho Won-woo

Costume Design
The Irishman, Sandy Powell and Christopher Peterson
Jojo Rabbit, Mayes C. Rubeo
Joker, Mark Bridges
Little Women, Jacqueline Durran (WINNER)
Once Upon a Time…in Hollywood, Arianne Phillip

Visual Effects
Avengers: Endgame, Dan DeLeeuw, Russell Earl, Matt Aitken, and Dan Sudick
The Irishman, Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser, and Stephane Grabli
The Lion King, Robert Legato, Adam Valdez, Andrew R. Jones, and Elliot Newman
1917, Guillaume Rocheron, Greg Butler, and Dominic Tuohy (WINNER)
Star Wars: The Rise of Skywalker, Roger Guyett, Neal Scanlan, Patrick Tubach, and Dominic Tuohy

Original Score
Joker, Hildur Guðnadóttir (WINNER)
Little Women, Alexandre Desplat
Marriage Story, Randy Newman
1917, Thomas Newman
Star Wars: The Rise of Skywalker, John Williams

Sound Mixing
Ad Astra, Gary Rydstrom, Tom Johnson, and Mark Ulano
Ford v Ferrari, Paul Massey, David Giammarco, and Steven A. Morrow
Joker, Tom Ozanich, Dean Zupancic, and Tod Maitland
1917, Mark Taylor and Stuart Wilson (WINNER)
Once Upon a Time…in Hollywood, Michael Minkler, Christian P. Minkler, and Mark Ulano

Sound Editing
Ford v Ferrari, Donald Sylvester (WINNER)
Joker, Alan Robert Murray
1917, Oliver Tarney and Rachael Tate
Once Upon a Time…in Hollywood, Wylie Stateman
Star Wars: The Rise of Skywalker, Matthew Wood and David Acord

Makeup and Hairstyling
Bombshell, Kazu Hiro, Anne Morgan, and Vivian Baker (WINNER)
Joker, Nicki Ledermann and Kay Georgiou
Judy, Jeremy Woodhead
Maleficent: Mistress of Evil, Paul Gooch, Arjen Tuiten, and David White
1917, Naomi Donne, Tristan Versluis, and Rebecca Cole

Original Song
“I Can’t Let You Throw Yourself Away,” Toy Story 4, Randy Newman
“(I’m Gonna) Love Me Again,” Rocketman, Elton John and Bernie Taupin
“I’m Standing with You,” Breakthrough, Diane Warren
“Into the Unknown,” Frozen 2, Kristen Anderson-Lopez and Robert Lopez
“Stand Up,” Harriet, Joshuah Brian Campbell and Cynthia Erivo

Live-Action Short
Brotherhood, Meryam Joobeur and Maria Gracia Turgeon
Nefta Footfall Club, Yves Piat and Damien Megherbi
The Neighbor’s Window, Marshall Curry (WINNER)
Saria, Bryan Buckley and Matt Lefebvre
A Sister, Delphine Girard

Documentary Short Subject
In the Absence, Yi Seung-jun and Gary Byung-seok Kam
Learning to Skateboard in a Warzone (If You’re a Girl), Carol Dysinger and Elena Andreicheva
Life Overtakes Me, John Haptas and Kristine Samuelson
St. Louis Superman, Smriti Mundhra and Sami Khan
Walk, Run, Chacha, Laura Nix and Colette Sandstedt

Animated Short
Daughter, Daria Kashcheeva
Hair Love, Matthew A. Cherry and Karen Rupert Toliver (WINNER)
Kitbull, Rosana Sullivan and Kathryn Hendrickson
Memorable, Bruno Collet and Jean-François Le Corre
Sister, Siqi Song

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Music

Eminem Drops Surprise Album and Anti-Gun Violence Video for “Darkness”

Music to Be Murdered By was released unexpectedly, accompanied by a music video for the track “Darkness.”

Published

on

Eminem
Photo: YouTube

Less than 17 months after his last album, Kamikaze, swooped in out of nowhere, Detroit rapper Eminem, né Marshall Mathers, has dropped another surprise album. Music to Be Murdered By was released unexpectedly tonight, accompanied by a music video for the track “Darkness.”

Directed by James Larese, the clip was seemingly inspired by the 2017 Las Vegas gun massacre, as Eminem narrates the disturbing inner thoughts of an isolated, mentally ill mass shooter. The video ends with the message, “When will this end? When enough people care” and a call to register to vote.

The 20-track album features collaborations with Ed Sheeran, Juice WRLD, Q-Tip, Anderson .Paak, and more. It also includes a song called “Stepdad,” about the rapper’s abusive stepfather.

Music to Be Murdered By is out now on Shady/Aftermath/Interscope Records.

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Awards

2020 Oscar Nominations: Joker, 1917, The Irishman, and OUATIH Lead Field

Nominations for the 92nd Academy Awards were announced Tuesday morning by Issa Rae and John Cho.

Published

on

Joker
Photo: Warner Bros.

Nominations for the 92nd Academy Awards were announced Tuesday morning by Issa Rae and John Cho. Todd Phillips’s Joker led the nomination count with 11, followed by Martin Scorsese’s The Irishman, Sam Mendes’s 1917, and Quentin Tarantino’s Once Upon a Time…in Hollywood with 10 each, and Bong Joon-ho’s Parasite, Noah Baumbach’s Marriage Story, Taika Waititi’s Jojo Rabbit, and Greta Gerwig’s Little Women with six each.

While Joker mostly received attention throughout the awards season for Joaquin Phoenix’s lead performance, many pegged Hildur Guðnadóttir’s victory at the Golden Globes for her score as a sign that the film would do well at the Oscars. Elsewhere, Jennifer Lopez (Hustlers) had to make way for Kathy Bates (Richard Jewell) in best supporting actress and Lupita N’yongo (Us) for Saoirse Ronan (Little Women) in best actress. And both Antonio Banderas (Pain and Glory) and Jonathan Pryce (The Two Popes) landed nominations for best actor, pushing Golden Globe-winner Taron Egerton (Rocketman), Robert De Niro (The Irishman), and Christian Bale (Ford v Ferrari out of the way.

See below for a full list of the nominations.

Best Picture
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
1917
Once Upon a Time…in Hollywood
Parasite

Best Director
Martin Scorsese, The Irishman
Todd Phillips, Joker
Sam Mendes, 1917
Quentin Tarantino, Once Upon a Time…in Hollywood
Bong Joon-ho, Parasite

Best Actress
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

Best Actor
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time…in Hollywood
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

Best Actress in a Supporting Role
Kathy Bates, Richard Jewell
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell

Best Actor in a Supporting Role
Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time…in Hollywood

Best Costume Design
The Irishman
Jojo Rabbit
Joker
Little Women
Once Upon a Time…in Hollywood

Best Sound Editing
Ford v Ferrari
Joker
1917
Once Upon a Time…in Hollywood
Star Wars: The Rise of Skywalker

Best Sound Mixing
Ad Astra
Ford v Ferrari
Joker
1917
Once Upon a Time…in Hollywood

Best Animated Short
Dcera (Daughter)
Hair Love
Kitbull
Memorable
Sister

Best Live-Action Short
Brotherhood
Nefta Footfall Club
The Neighbor’s Window
Saria
A Sister

Best Film Editing
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Parasite

Best Original Score
Joker
Little Women
Marriage Story
1917
Star Wars: The Rise of Skywalker

Best Documentary Feature
American Factory
The Cave
The Edge of Democracy
For Sama
Honeyland

Best Documentary Short Subject
In the Absence
Learning to Skateboard in a Warzone (If You’re a Girl)
Life Overtakes Me
St. Louis Superman
Walk, Run, Chacha

Best International Feature Film
Corpus Christi (Poland)
Honeyland (North Macedonia)
Les Misérables (France)
Pain and Glory (Spain)
Parasite (South Korea)

Best Production Design
The Irishman
Jojo Rabbit
1917
Once Upon a Time…in Hollywood
Parasite

Best Visual Effects
Avengers: Endgame
The Irishman
The Lion King
1917
Star Wars: The Rise of Skywalker

Best Cinematography
The Irishman
Joker
The Lighthouse
1917
Once Upon a Time…in Hollywood

Best Makeup and Hairstyling
Bombshell
Joker
Judy
Maleficent: Mistress of Evil
1917

Best Animated Feature
How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Missing Link
Toy Story 4

Best Adapted Screenplay
The Irishman
Jojo Rabbit
Joker
Little Women
The Two Popes

Best Original Screenplay
Knives Out
Marriage Story
1917
Once Upon a Time…in Hollywood
Parasite

Best Original Song
“I Can’t Let You Throw Yourself Away,” Toy Story 4
“(I’m Gonna) Love Me Again,” Rocketman
“I’m Standing with You,” Breakthrough
“Into the Unknown,” Frozen 2
“Stand Up,” Harriet

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Film

John Krasinski’s A Quiet Place Part II, Starring Emily Blunt, Gets Trailer

The film stands to further boost the profile of the Hudson Valley as a destination for filmmakers.

Published

on

The Quiet Place Part II
Photo: Paramount Pictures

Today, Paramount debuted in theaters and online the trailer for the sequel to John Krasinski’s runaway success A Quiet Place, which topped our list of the best horror films of 2018. Not so imaginatively titled A Quiet Place Part II, the film was shot in part in Erie County but, like its predecessor, mostly in the Hudson Valley region where Krasinski and Emily Blunt live with their children. The film, then, stands to not only goose audiences this March, but to also boost the profile of the region as a destination for filmmakers.

According to Paramount’s official description of A Quiet Place Part II: “Following the deadly events at home, the Abbott family (Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.”

A Quiet Place Part II is written and directed by Krasinski and also stars Cillian Murphy and Djimon Hounsou. See the tense trailer below:

Paramount will release A Quiet Place Part II on March 20.

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Music

Kesha Gets Her Swagger Back in Raucous “Raising Hell” Single and Video

The song reprises the driving dance beats and irreverent, IDGAF swagger of the singer’s early hits.

Published

on

Kesha
Photo: Dana Trippe

Clocking in at under three minutes and featuring lyrics like “I’m still here, still bringin’ it to ya,” Kesha’s new song, “Raising Hell,” feels more like an album intro than a proper lead single. But it’s a fitting re-introduction, reprising the driving dance beats and irreverent, IDGAF swagger of the singer’s early hits: “I’m all fucked up in my Sunday best/No walk of shame ‘cause I love this dress/Hungover, heart of gold, holy mess/Doin’ my best, bitch, I’m blessed.”

Though it’s not quite a return to form, “Raising Hell” is a gospel-tinged rave-up featuring Big Freedia that provides a bridge between Kesha’s breakout sound and 2017’s more introspective, roots-inspired Rainbow. Her forthcoming album, High Road, reportedly boasts a wide breadth of styles, from dance-rap bangers to dream-pop ballads, and guests Brian Wilson, Sturgill Simpson, and, yes, even a meta-appearance from “Ke$ha” on the track “Kinky.”

In the video for “Raising Hell,” Kesha plays a very-Aqua Netted televangelist who murders her abusive husband and goes on the lam. The clip, directed by Luke Gilford, sets up a narrative thread that, based on the album’s trailer, will ostensibly run through the entire project.

Watch below:

High Road is set to be released on January 10 on Kemosabe/RCA Records.

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Film

Watch the First Trailer for Martin Scorsese’s The Irishman

Today, Netflix has given us our first look at the film, which stars Robert De Niro, Al Pacino, and Joe Pesci.

Published

on

The Irishman
Photo: Netflix

On Monday, it was announced that The Irishman, Martin Scorsese’s adaptation of Charles Brandt’s nonfiction book I Heard You Paint Houses, will open this year’s New York Film Festival. And today, Netflix, which will release the film in select theaters and on its streaming service at some point later in the year, has given us our first look at the production, which stars Robert De Niro, Al Pacino, and Joe Pesci.

According to Netflix’s official description, The Irishman is “an epic saga of organized crime in post-war America told through the eyes of World War II veteran Frank Sheeran, a hustler and hitman who worked alongside some of the most notorious figures of the 20th century. Spanning decades, the film chronicles one of the greatest unsolved mysteries in American history, the disappearance of legendary union boss Jimmy Hoffa, and offers a monumental journey through the hidden corridors of organized crime.”

In a statement from Film at Lincoln Center, New York Film Festival director Kent Jones, a frequent collaborator of Scorsese’s, said that The Irishman is “the work of masters, made with a command of the art of cinema that I’ve seen very rarely in my lifetime, and it plays out at a level of subtlety and human intimacy that truly stunned me.”

See the kinetic trailer, which provides us with our first look of the film’s sure-to-be-controversial “de-aging” VFX techniques, below:

The Irishman will premiere at the New York Film Festival on September 27.

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Film

Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer

The film follows a young Chinese woman who disguises herself as a warrior in order to spare her ailing father from war.

Published

on

Mulan
Photo: Walt Disney Studios Motion Pictures

Today, during the Women’s World Cup final between America and the Netherlands, Disney premiered the first trailer for its live-action remake of the 1998 animated move of the same name. The film follows a young Chinese woman (Yifei Liu) who, after the Emperor of China (Jet Li) issues a decree that one man per family must serve in the Imperial army, disguises herself as a warrior in order to spare the life of her ailing father (Tzi Ma). According to Disney’s official description of the film: “Masquerading as a man, Hua Jun, she is tested every step of the way and must harness her inner strength and embrace her true potential. It is an epic journey that will transform her into an honored warrior and earn her the respect of a grateful nation…and a proud father.”

Mulan features a celebrated international cast that also includes Donnie Yen as Commander Tung, Jason Scott Lee as Böri Khan, Yoson An as Cheng Honghui, and Gong Li as Xianniang. The film is directed by Niki Caro from a screenplay by Rick Jaffa, Amanda Silver, Elizabeth Martin, and Lauren Hynek based on the narrative poem “The Ballad of Mulan.”

See the action-packed teaser trailer below:

Disney will release Mulan in March 2020.

We’re committed to keeping our content free and accessible—meaning no paywalls or subscription fees—so if you like what we do, please consider becoming a SLANT patron:
Continue Reading

Trending