At first listen it’s hard to say why Danielle Brisebois’s debut album, Arrive All Over You, only sold 10,000 copies, while one year later a singer named Alanis Morissette sold 16 million. Perhaps the album, released during the apex of scrunge rock, was a bit too pop despite weighty Alanis-like tracks such as “What If God Fell from the Sky.”
Brisebois has once again teamed up with pal and frequent collaborator Gregg Alexander of New Radicals fame for Portable Life, which, at press time, has been shelved indefinitely by RCA Records. The album includes an updated version of “Just Missed the Train,” a standout ballad from her debut. It’s a heart-wrenching ballad about love, addiction, and dependency: “So sleep darling, why don’t you pretend we were just a dream?” she begs. However, the original is more stripped-down and haunting.
Brisebois’s voice is distinctive—light enough for pop radio but robust enough for a good wail. The first single, “I’ve Had It,” bares resemblance to Alexander’s railing style—“I’m in shock/I’ve been fucked/I’m a girl knocked up”—while “If I Died Tonight You’d Have to Think of Me” and “Stop It Hurts You’re Killing Me Don’t Stop” are declarations of masochism any teenage girl or woman (or man, for that matter) can relate to.
Like its predecessor, Portable Life is Smart Pop, the music sometimes too fluffy to handle the sophistication of Brisebois’s lyrics. She and Alexander turn Celine Dion-esque “Need a Little Love” into a clever beauty: “I’m too young to feel like this/I fell so deep into your arms I don’t exist/I’m too drunk to drive you home/And I’m so famous I’m unknown.” It’s an existentialism Brisebois might want to discuss with her shrink. Portable Life isn’t a huge departure, but maybe by the time it finally gets released, the climate will be right for Brisebois to get the attention she deserves.
Since 2001, we've brought you uncompromising, candid takes on the world of film, music, television, video games, theater, and more. Independently owned and operated publications like Slant have been hit hard in recent years, but we’re committed to keeping our content free and accessible—meaning no paywalls or fees.
If you like what we do, please consider subscribing to our Patreon or making a donation.
