The track is a bustling pop-rock song bolstered by a clangy guitar riff and searing synth line.
Directed by Trey Edward Shults, the clip is a preview of an upcoming psychological thriller.
The new track boasts a smooth, new jack swing bounce straight out of 1994.
There’s enough solid material here to ensure that the album isn’t a complete wash.
On their first album as a duo, the singers reclaim the honky-tonk music they grew up on.
The singer has announced the release of her sophomore mixtape and London residency.
The album attempts to unpack the empty spectacle of celebrity—and largely succeeds.
The song finds the singer pining for her lover in a pre-apocalyptic landscape.
Despite being marketed as a penetrating self-reflection, the album offers few pearls of wisdom.
The film serves as a continuation of the video for “We Can’t Be Friends (Wait for Your Love).”
The artist takes on the music industry in the star-studded video for her latest single.
The pop icon continues to redefine what it means to be an artist in the 21st century.
A range of genres is complemented by lush production and creeping dissonance.
Mike Hadreas delivers tactile poetry and self-examinations, extracting catharsis from isolation.
The album doesn’t question whether love is real, but rather if it’s all that it’s cracked up to be.
The album is long and messy, but it demonstrates the rapper’s staggering range.
The album’s production is imbued with a rich sense of depth and warmth.
The album commits a mortal pop sin: It’s kind of boring.
Earnest and quietly distraught, the album is the musician’s most starkly realized effort.
Lennox’s latest is his attempt at crafting something in the key of Jimmy Buffet.
The album contains some of Hood’s most impressive and freshest work in years.