The heart of the book lies in its long, romantic discourses on the unseen entanglements and leitmotifs that run through all of our lives.
Quentin Tarantino is one of those directors that thoroughly divides people: You either love to hate him, or hate to love him.
Milo Burke’s America isn’t in the throes of environmental or theocratic chaos, just a long, slow slide into mediocrity.