It was good to get out of my element and visit a world I never even knew existed.
Subterranea: An Urban Fairytale is the latest production from underappreciated aerial troupe extraordinaire Suspended Cirque.
The play is a heady Brechtian mashup that surprisingly charms rather than ironically alienates.
The Klitschko brothers may lack the murderous drama of Cain and Abel, but they certainly draw blood from their character arcs.
The Good Life is a perfect wedding of dynamic characters and subject.
The documentary explores a fascinating piece of history little known outside Eastern Europe.
Here, only Angela Davis, the most academic of the talking heads (in an ironic twist) can match William Kunstler’s unapologetically heartfelt fire.
Rustem Abdrashev’s The Gift to Stalin feels like a throwback to another era.
If the already terrific Something Something Über Alles were a multimedia production it would be Obie Obie über alles as well.
Skiff’s rote filmmaking is fortunately topped by his eye-opening subject matter.
The star of the film is Fran Lebowitz’s brilliant bon mots.
The invisible danger of nuclear waste becomes palpably apparent in Madsen’s filmmaking.
The joy of watching Daniel Kitson comes from the performer’s own (very British) love of language.
Ferrara’s film is as rambling and all over the place as his previous foray into documentary filmmaking, Chelsea on the Rocks.
‘Tis the season for surreal culture shock.
The top-notch ensemble that breathes life into these characters is compelling both for individual artistic talent and team workmanship.
The film plays like a pilot episode for a new Showtime series, but it’s a heartfelt and well-acted sitcom nonetheless.
Thank heaven for kinky accidents.
In an outside world populated by people who spend untold hours playing Second Life through avatars, how “outsider” is Mark Hogancamp?
Directors Hannes Karnick and Wolfgang Richter seem to have taken the concept of the banality of evil too far.