Tarantino’s public face says one thing, his movies say another.
We’re sharing two recent web postings that have stoked our interest.
To David Hudson: Great to have you back, sir, and best of luck!
Bergman Island isn’t a keeper, but it reveals that Bergman wasn’t, at least in real life, a merchant of doom and gloom.
Sentiment dooms Fassbinder’s characters, though they push on as long as they can, even deferring their inevitable ends to proxies.
On The X-Files, the cutting yin to Rob Bowman’s sweeping yang.
Hailing from Romania, Nemescu died, aged 27, while editing California Dreamin’.
Battlestar Galactica gets a reputation for being a dark show, and some of that is well-deserved.
Nankin discusses TV direction in general, directing Battlestar specifically, and some of the other shows on TV he admires.
This site’s own creation myth is by now well-known, but once more, with feeling.
Something’s kept me coming back to the writer-director’s filmography hoping to make a connection.
Seems we’re all of us susceptible, even this semi-lapsed Catholic boy, to the con of our beliefs.
Texts and images (ideologies) collide in Made in U.S.A., but this seems Godard’s perpetual project.
The filmmakers rest their depressive character study on the able shoulders of actor Michael Rapaport.
HND@Grassroots: Season 2, Episode 4 (22), “A Whiff of Whiteness” with Steven Boone and Lauren Wissot
Our first episode sans both John and Vadim features House contributors Steven Boone and Lauren Wissot on the weighty subject of Ballast.
The film that brings Tarantino’s magnum opus full circle emotionally and thematically gets its definitive release-visually, at least.
Now you see it, now you don’t. That about encapsulates the depths of feeling and artistry in The Dark Knight.
When I was very young, I received a fuzzy toy caterpillar.
Initially, the pig was very cooperative.
Changes afoot at The House, as I’m sure you’ve noticed.