The film again proves that Lanthimos is a skilled director of blunt strangeness and surreality.
Foe fails to adequately redress or rework played-out tropes within its high-concept world.
The film’s highlight is Amanda, a tempest of fully embodied desperation and psychosis.
The Sweet East is pretty fuzzy on what it wants its national tour of brainless dogma to mean.
When it’s all over, Strange Way of Life aspires to be like a victory lap for Pedro Almodóvar.
What’s frustrating about the play is that it skims and skids on and around interesting ideas.
With scattershot vigor, the series roots through pop culture old and new to borrow images, sounds, and tropes.
The filmmaker discusses While We’re Young’s documentary style and the search for truth not only in his own art, but also within himself.